Invisible Labor in William Carlos Williams

Florian Gargaillo
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Abstract

Although Williams has been praised for depicting working-class life in verse, many of his poems on the subject are marked by curious evasions. This essay considers three aspects of his approach that have received little attention. First, Williams minimizes or erases working-class people in settings where they would presumably be central. Second, he avoids depicting manual labor entirely or treats it as a metaphor for other forms of work. Third, he opposes any attempts to read his poems about the working class politically, by evoking and then quickly revoking the potential for political allegory. These evasions can be traced back to Williams’s distaste for poetry that places politics over form, as well as his objections to Marxist thought. But the poems also betray doubts about his ability to understand and represent working-class life in light of his more privileged social situation. By close reading a range of canonical and lesser-known poems, this article demonstrates that Williams’s portrayal of the working class is far more slippery, avoidant, and conflicted than the scholarship has acknowledged.
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威廉-卡洛斯-威廉斯笔下的隐形劳动
尽管威廉姆斯因用诗歌描绘工人阶级生活而受到称赞,但他关于这一主题的许多诗歌都以奇怪的回避为特征。这篇文章考虑了他的方法中很少受到关注的三个方面。首先,威廉姆斯将工人阶级最小化或抹去了他们可能是中心人物的场景。其次,他避免完全描绘体力劳动,或者将其作为其他形式工作的隐喻。第三,他反对任何从政治角度解读他的关于工人阶级的诗歌的尝试,通过唤起和迅速撤销政治寓言的可能性。这些回避可以追溯到威廉姆斯对将政治置于形式之上的诗歌的厌恶,以及他对马克思主义思想的反对。但这些诗也暴露出人们对他理解和表现工人阶级生活的能力的怀疑,因为他的社会地位更优越。通过仔细阅读一系列经典的和不太为人所知的诗歌,这篇文章证明了威廉姆斯对工人阶级的描绘远比学术界所承认的要狡猾、逃避和矛盾。
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