{"title":"Valuing ornament: Jean-Baptiste Plantar (1790–1879) between art, craft and industry","authors":"Justine Gain","doi":"10.3828/sj.2023.32.4.06","DOIUrl":null,"url":null,"abstract":"In the nineteenth century, as European countries reacted to industrialization, art and burgeoning industries intertwined in a myriad of new ways. From this union, several major changes occurred in building construction, decorative arts and sculpture. The career and oeuvre of Jean-Baptiste Plantar, French ornamentalist and sculptor des Bâtiments du Roi, illustrate the new relationships forged between traditional architectural patterns and industrial artistic production. Despite holding a central role in their establishment, Plantar has been largely unheeded both by his contemporaries and later writers. This article reasserts Plantar’s significance in the creation of a visual – essentially Parisian – landscape in the first half of the nineteenth century.","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sculpture Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/sj.2023.32.4.06","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
In the nineteenth century, as European countries reacted to industrialization, art and burgeoning industries intertwined in a myriad of new ways. From this union, several major changes occurred in building construction, decorative arts and sculpture. The career and oeuvre of Jean-Baptiste Plantar, French ornamentalist and sculptor des Bâtiments du Roi, illustrate the new relationships forged between traditional architectural patterns and industrial artistic production. Despite holding a central role in their establishment, Plantar has been largely unheeded both by his contemporaries and later writers. This article reasserts Plantar’s significance in the creation of a visual – essentially Parisian – landscape in the first half of the nineteenth century.
在19世纪,随着欧洲国家对工业化的反应,艺术和新兴工业以无数种新的方式交织在一起。从这次结合开始,在建筑、装饰艺术和雕塑方面发生了几次重大变化。Jean-Baptiste Plantar,法国装饰学家和雕刻家des batients du Roi的职业生涯和作品,说明了传统建筑模式和工业艺术生产之间形成的新关系。尽管在他们的建立中发挥了核心作用,但普兰塔在很大程度上没有受到同时代和后来的作家的注意。这篇文章重申了普兰塔在19世纪上半叶创造视觉上的重要性——本质上是巴黎的景观。