Theorizing Performance Archives through the Critic's Labor

IF 0.3 3区 艺术学 0 THEATER THEATRE SURVEY Pub Date : 2023-12-21 DOI:10.1017/s0040557423000261
Eric Mayer-García
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引用次数: 0

Abstract

In 2015, I traveled to Havana with the support of an ASTR Targeted Areas Research Grant to work on processing the physical materials of the Photographic Archive of Tablas-Alarcos Press (hereinafter the Tablas-Alarcos archive or collection). The Tablas-Alarcos archive is a unique collection because it exists not in a traditional research institution, but in the offices of a state-run press dedicated to the performing arts. Also, it consists of materials that have been saved after critics, researchers, and editors have completed the process of publishing their work. Much more than photographs, this collection also contains programs, unpublished manuscripts, and various theatre ephemera from all over the globe and in multiple languages.1

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通过评论家的劳动将表演档案理论化
2015 年,我在 ASTR 目标领域研究基金的支持下前往哈瓦那,致力于处理 Tablas-Alarcos Press 摄影档案(以下简称 Tablas-Alarcos 档案或藏品)的实物资料。Tablas-Alarcos 档案馆是一个独特的收藏馆,因为它不是存在于传统的研究机构,而是 存在于一家专门从事表演艺术的国营出版社的办公室。此外,它还包括评论家、研究人员和编辑在完成作品出版过程后保存下来的资料。除了照片之外,这套藏品还包括节目单、未发表的手稿以及来自全球各地的各种戏剧简历,并有多种语言版本1。
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来源期刊
THEATRE SURVEY
THEATRE SURVEY THEATER-
CiteScore
0.40
自引率
0.00%
发文量
42
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