ON THE SEARCH OF NEW AESTHETICS IN CONTEMPORARY UKRAINIAN LITERATURE (BASED ON THE NOVELS OF MAKSYM DUPESHKO)

Svitlana Vardevanian
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Abstract

Modern Ukrainian literature reacts to the collapse of the postmodern project and the emergence of a new cultural logic - metamodernism. This article is an attempt to prove it on the example of an analysis of the work of a modern Ukrainian writer. Maksym Dupeshko’s novels «The Story Worth an Entire Apple Orchard» [Istoriia varta tsiloho yablunevoho sadu] (2017) and «Near the Carriage under a Dead Fox» [Bilia karety pid mertvym lysom] (2021) served as the artistic material for the study. A scrupulous analysis of the novels testifies to the writer’s sensitivity to tectonic shifts in modern aesthetics. Both novels work with the phenomenon of the influence of historical memory on the present. And the strategies used by the author fully illustrate the theses of metamodernism theorists: oscillation between pre-modern, modern, and post-modern practices; fragmented «I» and attempts to integrate it into newmeaningful configurations; finding the multiplicity of human subjectivity; transition from parataxis to metaxy; a movement from melancholy to hope. Maksym Dupeshko’s texts testify listening to a new sensuality. The writer is not afraid to search for the truth, to be simple (both at the level of language and at the level of transmitted ideas), he consciously uses banality, he is deliberately pathetic, oscillates from irony to seriousness, from naivety to sincerity, always, however, without approaching cynicism. «The Story Worth an Entire Apple Orchard» is a novel-reflex on the modern Russian-Ukrainian war. The credit of the novel is that in its area there is a very important for our literature a change of modes in the artistic interpretation of reality — a transition from the obvious to the significant, after that we will no longer be ashamed to be heroes, to be from the provinces, to seek God and places of strength, we willstop confusing naivety and sincerity. «Near the Carriage under the Dead Fox» is a novel-anamorphosis - a construction that seems absurd to us if we look at it directly, but when we change the angle of view, it acquires clear and recognizable outlines. This novel engages the reader in the quest, it demonstrates a way to look into our modern existence - an endless chaos of things, events, ideas, aesthetics, fragments of sleeps, fragments of destinies, parts of dreams, hallucinations and fantasies.
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在当代乌克兰文学中寻找新美学(根据马克西姆-杜佩什科的小说改编)
乌克兰现代文学对后现代计划的崩溃和新的文化逻辑--元现代主义--的出现做出了反应。本文试图通过分析一位乌克兰现代作家的作品来证明这一点。马克西姆-杜佩什科的小说《值得一整个苹果园的故事》(2017 年)和《死狐狸下的马车附近》(2021 年)是研究的艺术素材。对这两部小说的细致分析证明了作家对现代美学结构性变化的敏感性。两部小说都涉及历史记忆对当下的影响这一现象。作者所使用的策略充分体现了元现代主义理论家的论点:在前现代、现代和后现代实践之间摇摆不定;"我 "支离破碎,并试图将其整合到新的有意义的构型中;发现人类主体性的多重性;从parataxis过渡到metaxy;从忧郁走向希望。马克西姆-杜佩什科的作品见证了一种新的感性。作家不惧怕探求真理,不惧怕简单(无论是在语言层面还是在思想传播层面),他有意识地使用平庸,故意表现出可悲的一面,从讽刺到严肃,从天真到真诚,摇摆不定,但始终没有玩世不恭。"一个苹果园的故事》是一部反映现代俄乌战争的小说。这部小说的功劳在于,在它的领域中,我们的文学有一个非常重要的特点,那就是对现实的艺术诠释模式的转变--从显而易见到意义重大的过渡,在这之后,我们将不再为成为英雄、来自外省、寻找上帝和力量之所在而感到羞耻,我们将不再混淆天真和真诚。"死狐狸下的马车附近》是一部变形小说--如果我们直视它,我们会觉得它是荒谬的,但当我们改变视角时,它就会获得清晰可辨的轮廓。这部小说吸引读者参与探索,它展示了一种审视我们现代生存的方式--事物、事件、观念、美学、睡眠片段、命运片段、梦境的一部分、幻觉和幻想的无尽混沌。
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DOMINANTS OF METAMODERNISM: CRITICAL RECEPTION THE 2000S: SIGNS OF THE TIMES IN IAN MCEWAN’S NOVEL, SATURDAY PINK FLOYD’S «THE RED VIBURNUM IN THE MEADOW»: A NOVEL IN THE SCORE THE CONCEPT OF TIME IN AMERICAN LITERATURE THROUGH THE LENS OF METAMODERN PERCEPTION ON THE SEARCH OF NEW AESTHETICS IN CONTEMPORARY UKRAINIAN LITERATURE (BASED ON THE NOVELS OF MAKSYM DUPESHKO)
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