{"title":"Buddah Still Works— the Work on Oneself Never Ends: Essay on Grotowski","authors":"Gioacchino Palumbo, Giuseppe G. Condorelli","doi":"10.36744/pt.1820","DOIUrl":null,"url":null,"abstract":"This essay uses the personal recollections of Italian director Gioacchino Palumbo, including the experience of viewing of Apocalypsis cum figuris as well as some personal encounters with Jerzy Grotowski, to present a subjective account of selected aspects of Grotowski’s theatrical and non-theatrical practices, with an emphasis on understanding theatre as a lifelong work on oneself. Palumbo highlights those aspects of Grotowski’s work and quotations from his statements and writings that have contributed to his own development as a theatre artist. Particularly interested in Grotowski’s attitude to diverse sources of inspiration, Palumbo extensively discusses Grotowski’s interview on Gurdjieff, considering it as a representative example of artist’s approach to cultural phenomena that influenced him. The essay is preceded by an introduction in which Giuseppe G. Condorelli presents the original theatrical work of Palumbo, who has been running his own theatre laboratory in Catania since 1981.","PeriodicalId":206887,"journal":{"name":"Pamiętnik Teatralny","volume":"54 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pamiętnik Teatralny","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36744/pt.1820","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This essay uses the personal recollections of Italian director Gioacchino Palumbo, including the experience of viewing of Apocalypsis cum figuris as well as some personal encounters with Jerzy Grotowski, to present a subjective account of selected aspects of Grotowski’s theatrical and non-theatrical practices, with an emphasis on understanding theatre as a lifelong work on oneself. Palumbo highlights those aspects of Grotowski’s work and quotations from his statements and writings that have contributed to his own development as a theatre artist. Particularly interested in Grotowski’s attitude to diverse sources of inspiration, Palumbo extensively discusses Grotowski’s interview on Gurdjieff, considering it as a representative example of artist’s approach to cultural phenomena that influenced him. The essay is preceded by an introduction in which Giuseppe G. Condorelli presents the original theatrical work of Palumbo, who has been running his own theatre laboratory in Catania since 1981.
本文通过意大利导演乔阿奇诺-帕伦博的个人回忆,包括观看《Apocalypsis cum figuris》的经历以及与耶日-格罗托夫斯基的一些个人接触,对格罗托夫斯基戏剧和非戏剧实践的某些方面进行了主观描述,重点是将戏剧理解为一种终生的自我工作。帕伦博重点介绍了格罗托夫斯基作品中的那些方面,以及他的言论和著作中对自己作为戏剧艺术家的发展起到促进作用的语录。帕伦波对格罗托夫斯基对待各种灵感来源的态度尤其感兴趣,他广泛讨论了格罗托夫斯基关于古尔杰耶夫的访谈,认为这是艺术家对待影响他的文化现象的一个代表性例子。朱塞佩-G-孔多雷利(Giuseppe G. Condorelli)在序言中介绍了帕伦博的原创戏剧作品,帕伦博自 1981 年以来一直在卡塔尼亚经营自己的戏剧实验室。