Estetica dell’acqua e del paesaggio nel rinnovamento della tradizione cinese

Giovanni Gamberi
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Abstract

Current Chinese policies consider tradition as the starting point for a new Chinese Renaissance. To meet contemporary, political and ecological needs, China rediscovers the millenary aesthetic of water and landscape, starting from its renowned philosophers, artists and gardens designers. Water’s central role in culture spans philosophical, religious and artistical fields. Since the origin of Chinese culture, renowned philosophers have associated water flow to the perfect political and moral vision. The wiseman considers water as the excellent behavioral model, in harmony with natural principles; water is indeed the mean to reach the Dao. In China, since the first studies on landscape painting, water has perfectly blended with the aesthetic vision of the landscape, becoming an integral part of it. Water exists in relation to its flowing and to its surroundings, becoming part of the landscape, not as a separated, independent element, but as a fundamental constituent.  
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中国传统复兴中的水与景观美学
中国当前的政策将传统视为新中国文艺复兴的起点。为满足当代、政治和生态需求,中国从著名哲学家、艺术家和园林设计师开始,重新发掘水与景观的千年美学。水在文化中的核心作用横跨哲学、宗教和艺术领域。自中国文化起源以来,著名哲学家就将水流与完美的政治和道德愿景联系在一起。智者认为水是优秀的行为典范,与自然原则和谐一致;水确实是通往 "道 "的途径。在中国,从最初的山水画研究开始,水就与山水美学完美融合,成为山水画不可分割的一部分。水的存在与其流动和周围环境相关联,成为景观的一部分,而不是作为一个分离的、独立的元素,而是作为一个基本的组成部分。
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