Introduction to the broken mirror: Christine and the Queens, identities, queerness, Frenchness

Q2 Arts and Humanities Contemporary French Civilization Pub Date : 2023-12-16 DOI:10.3828/cfc.2023.18
Martin Munro, Chris Tinker, D. Provencher
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Abstract

It’s complicated. For me, the experience is that the more you explore, the less you’re sure, in a way. And the more you explore, the more it changes. I say I’m a woman, but I’m exploring desire as a force of chaos that surprises me. And through desire, I get to explore many different identities. I don’t feel like I’m trapped in my woman’s body. I’m loving that woman’s body, actually. I love also the versatility of it – how easily I can look like a young boy, if I want. And my eroticism is made of hesitations and doubts and being uncomfortable in lust. I keep on exploring. I think I present a broken mirror instead of something reassuring, probably. (Heaney)
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破镜介绍:克莉斯汀与皇后》、身份、同性恋、法国性
这很复杂。对我来说,我的经验是,你探索得越多,在某种程度上你就越不确定。探索越多,变化越大。我说我是个女人,但我探索的欲望是一种让我惊喜的混乱力量。通过欲望,我可以探索许多不同的身份。我不觉得自己被困在女人的身体里。事实上,我很喜欢女人的身体。我还喜欢它的多变性--如果我愿意,我可以很轻松地看起来像个小男孩。我的情欲是由犹豫、怀疑和在情欲中的不自在组成的。我一直在探索。我想我呈现的可能是一面破碎的镜子,而不是令人安心的东西。(希尼)
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来源期刊
Contemporary French Civilization
Contemporary French Civilization Arts and Humanities-History
CiteScore
0.30
自引率
0.00%
发文量
23
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