Editorial: Sound – Screen – Research

Kym Campbell, Ross Adrian Williams
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Abstract

The dynamic dance of sound and image in the cinematic landscape continually prompts thoughtful analysis and reflection. Michel Chion’s 2019 insight, “You do not see the same thing when you hear, and you do not hear the same thing when you see,” captures a nuanced truth. For those steeped in the world of sound studies, this observation seems almost self-evident, underscoring the balanced role each sense plays in our cinematic experiences. Yet, it’s worth noting that only some people share this perspective. Sound has a subtle way of entering our awareness, often operating in the shadows of our consciousness. Its influence, though sometimes unnoticed, is deeply powerful—acting as the invisible puppeteer of our emotional responses and steering our interpretation of stories.
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编辑:声音 - 屏幕 - 研究
在电影景观中,声音与图像的动态舞蹈不断引发深思熟虑的分析和反省。米歇尔-奇昂(Michel Chion)在 2019 年提出的见解:"当你听到时,你看到的和听到的不一样;当你看到时,你听到的和听到的也不一样。对于那些精通声音研究的人来说,这一观点似乎不言自明,它强调了每种感官在我们的电影体验中所扮演的平衡角色。然而,值得注意的是,只有一部分人赞同这一观点。声音以一种微妙的方式进入我们的意识,常常在我们意识的暗处运作。它的影响虽然有时不为人所察觉,但却具有深远的力量--充当我们情绪反应的无形傀儡,引导我们对故事的诠释。
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来源期刊
International Journal of Film and Media Arts
International Journal of Film and Media Arts Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
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0.00%
发文量
1
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