RELIGION AND COMEDY: EXAMINING ISLAM IN PRISKA BARU SEGU AND BORIS BOKIR'S STAND-UP COMEDY

Abraham Zakky Zulhazmi, Syafawi Ahmad Qadzafi, Virdika Rizky Utama
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Abstract

In Indonesia, stand-up comedy performances have become popular in recent years. Stand-up comedy performances are completed and broadcast regularly on Indonesian television, and easily be found on social media such as YouTube. However, some stand-up comedy material is considered offensive and has resulted in legal cases. This includes materials that carry religious themes. This research analyzes the representation of Islam in the stand-up comedy material of Priska Baru Segu and Boris Bokir on Deddy Corbuzier's YouTube channel. This study is descriptive qualitative research. The stand-up comedy material of Priska Baru Segu and Boris Bokir is examined using critical discourse analysis by Teun A. van Dijk. This research concludes that the representation of Islam in the stand-up comedy material of Priska Baru Segu and Boris Bokir depicts Islam as hegemonic. This image emerges in the relationship between the majority group (Islam) and minorities in Indonesia. The strengthening of majoritarianism further solidifies the hegemony and dominance of Islam. Priska and Boris present material that represents religious issues in Indonesia: the closure of churches, the pros and cons of saying Merry Christmas, raids on restaurants during Ramadan, and issues of identity politics. Comedy based on religious material that Priska and Boris deliver operates under the shadow of societal sensitivities and accusations of blasphemy.
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宗教与喜剧:从普里斯卡-巴鲁-塞古和博里斯-博基尔的单口相声中审视伊斯兰教
在印尼,单口相声表演近年来很受欢迎。单口相声表演已经完成,并定期在印尼电视台播出,在 YouTube 等社交媒体上也很容易找到。然而,有些单口相声材料被认为具有攻击性,并导致法律诉讼。这其中就包括以宗教为主题的材料。本研究分析了 Deddy Corbuzier YouTube 频道上普里斯卡-巴鲁-塞古(Priska Baru Segu)和鲍里斯-博基尔(Boris Bokir)的相声材料中对伊斯兰教的表现。本研究为描述性定性研究。Teun A. van Dijk 使用批判性话语分析对 Priska Baru Segu 和 Boris Bokir 的相声材料进行了研究。本研究得出结论认为,普里斯卡-巴鲁-塞古和鲍里斯-博基尔在相声材料中对伊斯兰教的表述将伊斯兰教描绘成霸权主义。这一形象出现在印度尼西亚多数群体(伊斯兰教)与少数群体之间的关系中。多数主义的加强进一步巩固了伊斯兰教的霸权和统治地位。普里斯卡和鲍里斯展示了印尼宗教问题的素材:教堂的关闭、说 "圣诞快乐 "的利弊、斋月期间对餐馆的袭击以及身份政治问题。普里斯卡和鲍里斯以宗教为题材的喜剧在社会敏感性和亵渎指控的阴影下运作。
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