Feminitatea antimodernă și masculinitatea vampirică în nuvela Soranei Gurian „Vila Myosotis”

Tomasz Krupa
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Abstract

Anti-Modern Femininity and Vampiric Masculinity in Sorana Gurian’s Short Story “Vila Myosotis” In Sorana Gurian’s early French and Romanian writing, feminine subjectivities are pushed into an anti- modern position by an oppressive modern discourse, resulting in feelings of displacement and trans- planting that lead to a paradoxical posture which is both progressive and reactionary. Through Vila Myosotis ([1939] 1946), Gurian explores the possibility of reconciling with oneself by returning to the past. However, her escape into the world of dreams awakens repressed desires and origins. This reactionary tendency seeks to establish empathy in the face of progress and modernity, and it allows for the creation of an autonomous female subjectivity that challenges the dominant discourse of masculinity, portrayed here through vampiric imagery.
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索拉娜-古里安小说《维拉-妙索提斯》中的反现代女性气质和吸血鬼男性气质
索拉娜-古里安短篇小说《维拉-妙索提斯》中的反现代女性气质与吸血鬼般的男性气质 在索拉娜-古里安早期的法国和罗马尼亚作品中,女性主体性被压抑的现代话语推向反现代的位置,产生了流离失所和跨种植的感觉,导致了一种既进步又反动的矛盾姿态。通过《维拉-妙索提斯》([1939] 1946 年),古里安探索了通过回到过去与自我和解的可能性。然而,她在梦境中的逃亡唤醒了被压抑的欲望和起源。这种反动倾向试图在进步和现代性面前建立共鸣,它允许创造一种自主的女性主体性,挑战男性的主流话语,在这里通过吸血鬼的意象进行了描绘。
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