Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.025.18519
Olga Bartosiewicz-Nikolaev
The paper focuses on the ideological shift after 1989 that determined the nature of the debates over the role of Ana, the female character of the Legend of Master Manole, and her sacrifice. Until 1989, her perspective was widely ignored because the canonical interpretation of the ballad emphasized the male perspective of Manole and his sacrifice for the act of creation. After 1989, the feminist discourse argued that the symbolic structures perpetuated by this myth were reinforced in Romania by the communist regime. The main aim of the article is thus to present how the newly formed feminist critique employed one of the canonical Romanian texts to show the functioning of the model of a self-sacrificing woman in the social imaginary.
{"title":"Revision of the Legend of Master Manole in Romanian Feminist Discourse after 1989","authors":"Olga Bartosiewicz-Nikolaev","doi":"10.4467/20843917rc.23.025.18519","DOIUrl":"https://doi.org/10.4467/20843917rc.23.025.18519","url":null,"abstract":"The paper focuses on the ideological shift after 1989 that determined the nature of the debates over the role of Ana, the female character of the Legend of Master Manole, and her sacrifice. Until 1989, her perspective was widely ignored because the canonical interpretation of the ballad emphasized the male perspective of Manole and his sacrifice for the act of creation. After 1989, the feminist discourse argued that the symbolic structures perpetuated by this myth were reinforced in Romania by the communist regime. The main aim of the article is thus to present how the newly formed feminist critique employed one of the canonical Romanian texts to show the functioning of the model of a self-sacrificing woman in the social imaginary.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"37 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.017.18511
Cécile Folschweiller
A Forgotten Figure in the Promotion of Romanian Culture in France: Marcel Montandon and His “Lettres roumaines” in Mercure de France (1905–1914) From 1896 to 1940, the “Lettres étrangères” section of the Mercure de France magazine presented foreign literatures and cultures in the form of more or less regular columns aimed at a cultivated Frenchspeaking readership. Romania made its debut in 1905 under the pen of Marcel Montandon, a Swiss art critic and columnist born in Bucharest and living in Munich, who delivered 38 in-depth and regular articles until 1914. The presentation of this little-known corpus and its author provides an insight into the wealth of Romanian cultural production during this period, the arguments of the time and the choices and opinions of the author, standing as a cultural mediator between two intellectual worlds.
{"title":"Une figure oubliée de la promotion de la culture roumaine en France : Marcel Montandon et les « Lettres roumaines » dans le Mercure de France (1905–1914)","authors":"Cécile Folschweiller","doi":"10.4467/20843917rc.23.017.18511","DOIUrl":"https://doi.org/10.4467/20843917rc.23.017.18511","url":null,"abstract":"A Forgotten Figure in the Promotion of Romanian Culture in France: Marcel Montandon and His “Lettres roumaines” in Mercure de France (1905–1914) From 1896 to 1940, the “Lettres étrangères” section of the Mercure de France magazine presented foreign literatures and cultures in the form of more or less regular columns aimed at a cultivated Frenchspeaking readership. Romania made its debut in 1905 under the pen of Marcel Montandon, a Swiss art critic and columnist born in Bucharest and living in Munich, who delivered 38 in-depth and regular articles until 1914. The presentation of this little-known corpus and its author provides an insight into the wealth of Romanian cultural production during this period, the arguments of the time and the choices and opinions of the author, standing as a cultural mediator between two intellectual worlds.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"575 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.027.18521
Tomasz Klimkowski
Religious Terminology in Romanian and Confessional Divisions – the Orthodox and Greek Catholic Versions of the Divine Liturgy The articles presents some differences regarding the terminology used by the Romanian Orthodox Church, on the one hand, and the Romanian Church United with Rome, Greek-Catholic, on the other. The analysis is based on the text of the Divine Liturgy of Saint John Chrysostom. The differences concern not only strictly religious terms, but also neutral words. This seems to be the result of a deliberate linguistic policy of the Greek Catholic Church, which often uses different terms than the Romanian Orthodox Church. The Orthodox terms in question were borrowed from Slavonic or Greek, while the Greek Catholic terms are Romanian words inherited from Latin or recent loanwords from Latin and modern Romance languages.
{"title":"Terminologia religioasă românească și diviziunile confesionale – versiunea ortodoxă și cea greco-catolică a Dumnezeieștii Liturghii","authors":"Tomasz Klimkowski","doi":"10.4467/20843917rc.23.027.18521","DOIUrl":"https://doi.org/10.4467/20843917rc.23.027.18521","url":null,"abstract":"Religious Terminology in Romanian and Confessional Divisions – the Orthodox and Greek Catholic Versions of the Divine Liturgy The articles presents some differences regarding the terminology used by the Romanian Orthodox Church, on the one hand, and the Romanian Church United with Rome, Greek-Catholic, on the other. The analysis is based on the text of the Divine Liturgy of Saint John Chrysostom. The differences concern not only strictly religious terms, but also neutral words. This seems to be the result of a deliberate linguistic policy of the Greek Catholic Church, which often uses different terms than the Romanian Orthodox Church. The Orthodox terms in question were borrowed from Slavonic or Greek, while the Greek Catholic terms are Romanian words inherited from Latin or recent loanwords from Latin and modern Romance languages.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"8 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.022.18516
Jarmila Horáková
The writer Petru Popescu (born 1944) entered Romanian literature in the late 1960s and almost immediately gained the interest of critics and readers. His novels were innovative not only in terms of bold themes but also of narrative strategies. This article focuses on Petru Popescu’s work written in exile in English, i.e., from the late 1970s until 2009. His texts vary significantly, as Popescu tried his hand at several literary genres, from popular novels (Before and after Edith, In Hot Blood), travelogues (Amazon Beaming), adventure novels (Almost Adam), and adolescents’ literature (Footprints in Time) to his memoir (The Return) and the more stylized memoir about his parents-in-law (The Oasis: A memoir of Love and Survival in a Concentration Camp).
{"title":"Petru Popescu’s English-Language Work","authors":"Jarmila Horáková","doi":"10.4467/20843917rc.23.022.18516","DOIUrl":"https://doi.org/10.4467/20843917rc.23.022.18516","url":null,"abstract":"The writer Petru Popescu (born 1944) entered Romanian literature in the late 1960s and almost immediately gained the interest of critics and readers. His novels were innovative not only in terms of bold themes but also of narrative strategies. This article focuses on Petru Popescu’s work written in exile in English, i.e., from the late 1970s until 2009. His texts vary significantly, as Popescu tried his hand at several literary genres, from popular novels (Before and after Edith, In Hot Blood), travelogues (Amazon Beaming), adventure novels (Almost Adam), and adolescents’ literature (Footprints in Time) to his memoir (The Return) and the more stylized memoir about his parents-in-law (The Oasis: A memoir of Love and Survival in a Concentration Camp).","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"351 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.020.18514
Florin Oprescu
The CONVULSIVE Beauty and the Convulsions of the Surrealist Novel. Nadja (1928, A. Breton) and Zenobia (1985, G. Naum) The article examines some of the communicating vessels (« vases communicants ») between André Breton’s theoretical surrealism and Gellu Naum’s neo-surrealism praxis. The focus of the analysis is also on the intersection points among the two novels, Nadja (1928) and Zenobia (1985), defining moments of beginning and of the last surrealism. The aim is to determine the synthetic (theoretical and practical) manifesto of Breton’s novel, Nadja, and the pure poetic act of the last European surrealist novel, Zenobia. Although the correspondences seemed clarified by Romanian literary criticism, the present article offers a new, in-depth and contrastive perspective on the « convulsive beauty », from theory to practice.
超现实主义小说中的 "震荡之美 "与 "震荡"。Nadja (1928, A. Breton) and Zenobia (1985, G. Naum) 这篇文章探讨了安德烈-布勒东（André Breton）的超现实主义理论与盖鲁-瑙姆（Gellu Naum）的新超现实主义实践之间的一些交流容器（"交流花瓶"）。分析的重点还在于两部小说《娜佳》（1928 年）和《泽诺比亚》（1985 年）之间的交汇点，这两部小说是超现实主义的开端和终结。目的是确定布勒东小说《娜佳》的综合（理论和实践）宣言和欧洲最后一部超现实主义小说《泽诺比亚》的纯诗歌行为。尽管罗马尼亚文学批评似乎已经澄清了这些对应关系，但本文从理论到实践为 "震撼之美 "提供了一个新的、深入的对比视角。
{"title":"La Beauté CONVULSIVE et les convulsions du roman surréaliste. Nadja (1928, A. Breton) et Zenobia (1985, G. Naum)","authors":"Florin Oprescu","doi":"10.4467/20843917rc.23.020.18514","DOIUrl":"https://doi.org/10.4467/20843917rc.23.020.18514","url":null,"abstract":"The CONVULSIVE Beauty and the Convulsions of the Surrealist Novel. Nadja (1928, A. Breton) and Zenobia (1985, G. Naum) The article examines some of the communicating vessels (« vases communicants ») between André Breton’s theoretical surrealism and Gellu Naum’s neo-surrealism praxis. The focus of the analysis is also on the intersection points among the two novels, Nadja (1928) and Zenobia (1985), defining moments of beginning and of the last surrealism. The aim is to determine the synthetic (theoretical and practical) manifesto of Breton’s novel, Nadja, and the pure poetic act of the last European surrealist novel, Zenobia. Although the correspondences seemed clarified by Romanian literary criticism, the present article offers a new, in-depth and contrastive perspective on the « convulsive beauty », from theory to practice.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"62 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.018.18512
Gabriela Gavril
Biography and Fiction. The Contradictions of Panait Istrati – Traps for Exegetes The proposed text is an excerpt from a larger study devoted to the writings of Panait Istrati. It aims to highlight the importance of literary history for a more accurate understanding of the reception of Panait Istrati in Romania, especially in the interwar period, taking a critical distance from the thesis of the author’s “marginalization” in Romanian and French literature. By researching Istrati’s articles from several decades and his correspondence with Romain Rolland, the study describes the contradictions of the author, the process of fictionalization of his biography, the invention of “roles” and the construction of a “personal myth”.
传记与小说。帕奈特-伊斯特拉蒂的矛盾之处--注释者的陷阱》（The Contradictions of Panait Istrati - Traps for Exegetes） 这篇论文是专门研究帕奈特-伊斯特拉蒂著作的大型研究报告的节选。该文旨在强调文学史对于更准确地理解罗马尼亚，尤其是战时罗马尼亚对帕奈特-伊斯特拉蒂的接受情况的重要性，与关于作者在罗马尼亚和法国文学中被 "边缘化 "的论点保持一定距离。通过研究伊斯特拉蒂几十年来的文章以及他与罗曼-罗兰的通信，该研究描述了作者的矛盾之处、其传记的虚构过程、"角色 "的发明以及 "个人神话 "的构建。
{"title":"Biografie și ficțiune. Contradicțiile lui Panait Istrati – capcane pentru exegeți","authors":"Gabriela Gavril","doi":"10.4467/20843917rc.23.018.18512","DOIUrl":"https://doi.org/10.4467/20843917rc.23.018.18512","url":null,"abstract":"Biography and Fiction. The Contradictions of Panait Istrati – Traps for Exegetes The proposed text is an excerpt from a larger study devoted to the writings of Panait Istrati. It aims to highlight the importance of literary history for a more accurate understanding of the reception of Panait Istrati in Romania, especially in the interwar period, taking a critical distance from the thesis of the author’s “marginalization” in Romanian and French literature. By researching Istrati’s articles from several decades and his correspondence with Romain Rolland, the study describes the contradictions of the author, the process of fictionalization of his biography, the invention of “roles” and the construction of a “personal myth”.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"421 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.023.18517
Ana-Maria Pușcașu
The Strategy of Self-referentiality in Dumitru Crudu’s Poetry Surfacing Dumitru Crudu’s poetry from his first books, published before the emergence of the new fracturist movement in Romanian literature, the strategy of self-referentiality will gradually become the author’s trademark. This strategy has a double functionality, representing both a renunciation of the postmodern poetical discourses of the 80s and an embodiment of the desideratum of poetic individuation. Throughout self-referentiality, Dumitru Crudu repositions the world towards the poetic self by fragmenting it into a spectrum of personal reactions.
{"title":"Strategia autoreferențialității în poezia lui Dumitru Crudu","authors":"Ana-Maria Pușcașu","doi":"10.4467/20843917rc.23.023.18517","DOIUrl":"https://doi.org/10.4467/20843917rc.23.023.18517","url":null,"abstract":"The Strategy of Self-referentiality in Dumitru Crudu’s Poetry Surfacing Dumitru Crudu’s poetry from his first books, published before the emergence of the new fracturist movement in Romanian literature, the strategy of self-referentiality will gradually become the author’s trademark. This strategy has a double functionality, representing both a renunciation of the postmodern poetical discourses of the 80s and an embodiment of the desideratum of poetic individuation. Throughout self-referentiality, Dumitru Crudu repositions the world towards the poetic self by fragmenting it into a spectrum of personal reactions.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"326 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.026.18520
Anna Oczko
Lexicalization of Definite Article in Polish Carpathian Vocabulary of Romanian Origin The conditions under which the borrowing and diffusion of Carpathian vocabulary of Romanian origin in the mountain dialects of Lesser Poland and the Sub-Carpathian region, as well as the morphological properties of Romanian nouns, seem to favor the phenomenon of agglutination (integration) of a definite article in loanwords. The study of lexemes (common nouns and toponyms) considered by some linguists to be of Romanian origin has led to the conclusion that the agglutination of the Romanian definite article is a sporadic phenomenon in the case of toponyms present in the Polish part of the Western Carpathians (region of Polish dialects). As for the common nouns, none continue the Romanian articulated form, and the endings that can be confused with the masculine definite article are Polish suffixes of Slavic origin.
{"title":"Aglutinarea articolului hotărât în carpatismele poloneze de origine română","authors":"Anna Oczko","doi":"10.4467/20843917rc.23.026.18520","DOIUrl":"https://doi.org/10.4467/20843917rc.23.026.18520","url":null,"abstract":"Lexicalization of Definite Article in Polish Carpathian Vocabulary of Romanian Origin The conditions under which the borrowing and diffusion of Carpathian vocabulary of Romanian origin in the mountain dialects of Lesser Poland and the Sub-Carpathian region, as well as the morphological properties of Romanian nouns, seem to favor the phenomenon of agglutination (integration) of a definite article in loanwords. The study of lexemes (common nouns and toponyms) considered by some linguists to be of Romanian origin has led to the conclusion that the agglutination of the Romanian definite article is a sporadic phenomenon in the case of toponyms present in the Polish part of the Western Carpathians (region of Polish dialects). As for the common nouns, none continue the Romanian articulated form, and the endings that can be confused with the masculine definite article are Polish suffixes of Slavic origin.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"29 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.021.18515
Corina Croitoru
“The War Generation” – the Poetry of Trauma, the Trauma of Poetry The article discusses the poetry of the Romanian War Generation, proposing to reread the ‘transitive’ poetry of ‘Albatross’ group (Geo Dumitrescu, Dimitrie Stelaru, Ion Caraion et al.), in order to show how this literature develops the traumatic experience of the Second World War. The analysis focuses on the stylistic consequences of thematising the war, given the obvious distortion of poetic language in accordance with the deformed world it tries to codify. Therefore the approach is less interested in the capacity of poetry to represent, on aesthetic criteria, a resistance knot against terror, and more interested in poetry’s capacity of reinventing itself on ethic bases, as an insurgent response to the violence of History.
{"title":"„Generația războiului” – poezia traumei, trauma poeziei","authors":"Corina Croitoru","doi":"10.4467/20843917rc.23.021.18515","DOIUrl":"https://doi.org/10.4467/20843917rc.23.021.18515","url":null,"abstract":"“The War Generation” – the Poetry of Trauma, the Trauma of Poetry The article discusses the poetry of the Romanian War Generation, proposing to reread the ‘transitive’ poetry of ‘Albatross’ group (Geo Dumitrescu, Dimitrie Stelaru, Ion Caraion et al.), in order to show how this literature develops the traumatic experience of the Second World War. The analysis focuses on the stylistic consequences of thematising the war, given the obvious distortion of poetic language in accordance with the deformed world it tries to codify. Therefore the approach is less interested in the capacity of poetry to represent, on aesthetic criteria, a resistance knot against terror, and more interested in poetry’s capacity of reinventing itself on ethic bases, as an insurgent response to the violence of History.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"73 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.024.18518
Kazimierz Jurczak
Between a Folkloric Topos and a Cultural Myth. A Few Glosses on the Ballad “Master Manole” The folkloric topos of the walled-up woman, present in several variants in South-Eastern Europe, has a special status in the Romanian culture. The “Legend of Master Manole” from which it originates, along with “Miorița”, has become a canonical literary text. Considered by G. Călinescu as a “cultural myth”, one of the four essential Romanian myths, in the interwar and communist period, it was intensively exploited ideologically and politically. Interpreted by writers, either as a sample of Romanian creative genius, or as an example of dedication to the work of building the new world, the topos has long overgrown its initial condition as a simple motif of popular culture.
{"title":"Între un topos folcloric şi un mit cultural. Câteva glose pe marginea baladei „Meşterul Manole”","authors":"Kazimierz Jurczak","doi":"10.4467/20843917rc.23.024.18518","DOIUrl":"https://doi.org/10.4467/20843917rc.23.024.18518","url":null,"abstract":"Between a Folkloric Topos and a Cultural Myth. A Few Glosses on the Ballad “Master Manole” The folkloric topos of the walled-up woman, present in several variants in South-Eastern Europe, has a special status in the Romanian culture. The “Legend of Master Manole” from which it originates, along with “Miorița”, has become a canonical literary text. Considered by G. Călinescu as a “cultural myth”, one of the four essential Romanian myths, in the interwar and communist period, it was intensively exploited ideologically and politically. Interpreted by writers, either as a sample of Romanian creative genius, or as an example of dedication to the work of building the new world, the topos has long overgrown its initial condition as a simple motif of popular culture.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"355 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：