The City Between Genre and Authorship in All’s Well That Ends Well

Gabriela Cheaptanaru
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Abstract

Abstract In this paper, I analyse the construction of the city as an ideological space in All’s Well that Ends Well which, I argue, generates the play’s genre ambiguity. Drawing on recent scholarly work that has identified Thomas Middleton as co-author of the play, I investigate how the interplay between Middleton and Shakespeare’s artistic temperaments concretizes in the mental space of the city, which infuses the entire play. In my research, I propose a further attribution to Middleton and show that Middleton’s contribution leads to the formation of an imbalanced landscape, situated between crisis and change, between comedy and tragedy.
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皆大欢喜》中的流派与作者之间的城市关系
摘要 在本文中,我分析了《皆大欢喜》中作为意识形态空间的城市建构,我认为,这一建构产生了该剧体裁的模糊性。最近有学者指出托马斯-米德尔顿(Thomas Middleton)是该剧的合著者,根据这一研究成果,我探讨了米德尔顿与莎士比亚的艺术气质之间的相互作用是如何在城市这一精神空间中具体化的,这一精神空间贯穿了整部剧作。在我的研究中,我提出了进一步归功于米德尔顿的建议,并表明米德尔顿的贡献导致形成了一种不平衡的景观,它介于危机与变革之间,介于喜剧与悲剧之间。
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