The Unwritten

Q3 Arts and Humanities Matatu Pub Date : 2023-11-29 DOI:10.1163/18757421-05401007
Pralini Naidoo
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Abstract

For many years, having searched for the foods with which I had grown up within the pages of published recipe books, I realised that there was a lack of written representation around what I had understood as ancestral foods. Neither could I find the voices of the mothers and grandmothers who had fed our bodies and spirits. Through the lens of Indian indenture, a colonial system of servitude that had introduced my ancestors to South Africa, I attempt to understand why. While published recipe books offer multiple readings, they are also powerful forms of knowledge production, contributing to narrow formulations of identity. Power dictates what is published and how. By exploring how recipes live beyond words on the page, I suggest that the possibility exists to revisit hidden food narratives while recognising the creativity, ingenuity, and adaptability of many women, who are usually rendered invisible within food texts. Through poetry, story, and my mother’s handwritten recipe book, I search for my mother and the taste of home.
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不成文的规定
多年来,我一直在出版的食谱书中寻找与我一起成长的食物,但我意识到,我所理解的祖传食物缺乏文字表述。我也找不到曾经喂养我们身体和精神的母亲和祖母们的声音。通过印度契约--一种将我的祖先引入南非的殖民奴役制度--的视角,我试图理解其中的原因。虽然出版的食谱书提供了多种解读,但它们也是强大的知识生产形式,有助于形成狭隘的身份认同。权力决定了出版的内容和方式。通过探索食谱如何超越纸上的文字而存在,我认为有可能重新审视隐藏的食物叙事,同时承认许多女性的创造力、独创性和适应性,她们通常在食物文本中被忽略。通过诗歌、故事和母亲的手写食谱,我寻找母亲和家的味道。
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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