Eco-cultural identity building through tattoos: a conversational approach

IF 1.5 Q2 COMMUNICATION Frontiers in Communication Pub Date : 2023-11-22 DOI:10.3389/fcomm.2023.1197843
F. Weder, Jasmine Burdon, Caitlin Kearney
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Abstract

While in the not-too-distant past, tattoos were often perceived as representing non-conformity or even deviance, tattoos now increasingly transcend class, gender, and age boundaries and are more acceptable than ever. Tattoos are created by artists and are an interpretation of a story that the client wants to tell, re-created in interpersonal communication situations—before, during, and after the actual tattooing. The project at hand conceptualizes and critically examines the ways in which tattoos alter people's sense of being not only in a semiotic way but also in a conversational way. Our guiding research question is how (much) tattooed images, ornaments, and symbols of nature (re)create the eco-cultural identity of the person wearing it and what role storytelling plays in restoring human–nature relationships. The insights were gained with a series of explorative interviews with (N =) 12 tattoo artists in Oceania (Australia and New Zealand) and Europe (Germany, Austria, and France), analyzed with an inductive categorization supported by QCAmap. The findings show that tattoos are both a device and signifier and a storytelling method. Bodies are described as landscapes where individual stories are carved out through a process of tattooing and ritual interactions and conversations tattooed bodies have with others. Tattoos have the potential to re-story the body and shape it in ways that create meaning for the tattooer, the wearer, and the society, and to create eco-cultural identities, thus regenerating or restoring human–nature relationships. This project opens a new field for communication research that helps to strengthen a conversational understanding of communication beyond the ritual perspective. The conceptualization of tattooing as a conversational process where meaning is created, common beliefs are (re)produced, new norms are cultivated, and meaningful human–nature relationships are forged stimulates further research studying other rituals and their potential to communicatively re-create a more sustainable society.
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通过纹身建立生态文化身份:一种对话方法
在不久的过去,纹身往往被认为是不合群甚至是离经叛道的表现,而现在,纹身越来越多地超越了阶级、性别和年龄的界限,比以往任何时候都更容易被接受。纹身是由艺术家创作的,是对客户想要讲述的故事的诠释,是在人际沟通的情况下--在实际纹身之前、期间和之后--重新创作的。本项目从概念和批判的角度研究了纹身改变人的存在感的方式,不仅是符号学的方式,还有对话的方式。我们的指导性研究问题是,纹身图像、装饰品和自然符号如何(重新)创造佩戴者的生态文化身份,以及讲故事在恢复人与自然的关系中扮演什么角色。我们对大洋洲(澳大利亚和新西兰)和欧洲(德国、奥地利和法国)的 12 名纹身艺术家进行了一系列探索性访谈,并在 QCAmap 的支持下进行了归纳分类分析。研究结果表明,纹身既是一种工具和符号,也是一种讲故事的方法。身体被描述为一道风景线,在这里,个人的故事通过纹身、仪式互动以及纹身身体与他人的对话被刻画出来。纹身有可能重新讲述身体的故事,塑造身体,为纹身者、佩戴者和社会创造意义,并创造生态文化身份,从而再生或恢复人与自然的关系。该项目为传播研究开辟了一个新领域,有助于加强对传播的对话性理解,超越仪式的视角。将纹身概念化为一个会话过程,在这个过程中,意义得以产生,共同的信念得以(重新)形成,新的规范得以培养,有意义的人与自然关系得以建立。
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来源期刊
CiteScore
3.30
自引率
8.30%
发文量
284
审稿时长
14 weeks
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