Exploring the Potential Presence of Colonialism in the Digital Art Field from A Global Perspective

Yiying Zhang, Liang Cao
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Abstract

The advancement of digital art has significantly transformed how artistic creations are presented. Nevertheless, this transformation is intrinsically entwined with the historical impact of colonialism. This article takes a global perspective to investigate underlying colonialism-related concerns within the realm of digital art. It begins by elucidating how colonialism distorts conventional art forms, often resulting in the erasure of indigenous cultures. Subsequently, it delves into the enduring influence of colonialism in digital art, encompassing aspects such as technological dominance, cultural value crises, and the emergence of digital capitalism. The study underscores the imperative for researchers to scrutinize this multifaceted issue through a global lens, honoring the richness of diverse cultures and facilitating equitable dialogues. Furthermore, the article advocates for the concept of "digital interruption," endorsing collaboration among peripheral nations and the pursuit of developmental avenues aligned with local circumstances. The presence of colonialism in digital art serves as a poignant reminder of the necessity to cultivate critical thinking, foster cultural empathy, and champion the causes of historically marginalized groups. Ultimately, this endeavor contributes to the positive and inclusive evolution of digital art.
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从全球视角探讨殖民主义在数字艺术领域的潜在存在
数字艺术的发展极大地改变了艺术创作的呈现方式。然而,这种转变与殖民主义的历史影响密不可分。本文从全球视角出发,探讨数字艺术领域中与殖民主义相关的潜在问题。文章首先阐明了殖民主义是如何扭曲传统艺术形式的,这往往导致对本土文化的抹杀。随后,它深入探讨了殖民主义对数字艺术的持久影响,包括技术主导、文化价值危机和数字资本主义的出现等方面。研究强调,研究人员必须从全球视角审视这一多层面问题,尊重多元文化的丰富性,促进平等对话。此外,文章还提倡 "数字中断 "的概念,支持边缘国家之间的合作,并寻求符合当地情况的发展途径。殖民主义在数字艺术中的存在有力地提醒我们,有必要培养批判性思维,促进文化共鸣,支持历史上被边缘化群体的事业。最终,这项工作将促进数字艺术积极而包容的发展。
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