Free as A Bird: Nature as Freedom and Interval in Karl Marx’s Capital

Christina Chalmers
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Abstract

Abstract:Marx’s concept of bird-freedom or Vogelfreiheit—drawn from German legal history in which it meant “outlaw status”—describes the situation of free labor as “doubly free”: not enslaved as well as landless. The metaphorical valences of his satirical emphasis on the cynicism of the idea of “free labor” returns in many of Marx’s other satirical reworkings of concepts which refer to the state of nature. This essay looks at two such concepts engaged in explaining the process of “primitive accumulation” in Capital, Volume 1: the notion of the idyll (“idyllic relations” or “idyllic proceedings”) and the notion of outlawry as “bird-freedom.” The essay exemplifies the ways in which both moments constitute “natural-historical images,” in Theodor Adorno’s terms: a concept of hybridity, historical texture, and transition that might add to the scholarship on Marx’s philosophy of nature.
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像鸟儿一样自由马克思《资本论》中作为自由和间隔的自然
摘要:马克思的 "鸟类自由 "或 "Vogelfreiheit "概念源自德国法律史,在德国法律史中,"鸟类自由 "或 "Vogelfreiheit "意指 "不法地位"。马克思讽刺性地强调 "自由劳动 "这一概念的犬儒主义,其隐喻意义在马克思对其他许多涉及自然状态的概念的讽刺性再创造中得到了体现。本文探讨了《资本论》第一卷中解释 "原始积累 "过程的两个概念:田园概念("田园关系 "或 "田园诉讼")和作为 "鸟的自由 "的非法概念。这篇文章用西奥多-阿多诺(Theodor Adorno)的话举例说明了这两个时刻构成 "自然历史图像 "的方式:一个关于混杂性、历史肌理和过渡的概念,可能会为马克思自然哲学的学术研究锦上添花。
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