Repeating after Carson

IF 0.9 2区 历史学 0 CLASSICS CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI:10.1525/ca.2023.42.2.249
Rebecca Kosick
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引用次数: 0

Abstract

Across her diverse body of work, the Canadian-born poet Anne Carson repeatedly returns to the objects of her preoccupation. From Lazarus—“a person who had to die twice” (Nox)—to Herakles and countless other figures, themes, and images, Carson repeatedly reworks old ground, particularly around the unknowable divide separating the living and the dead. This essay adopts a repetitive approach to explore how H of H and The Trojan Women can be understood as in reiterative conversation with the poet’s source texts, her own work, and wider thinking on the utility of repeating ourselves.
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在卡森之后重复
加拿大出生的诗人安妮-卡森(Anne Carson)在她的各种作品中,一再回到她关注的对象。从拉撒路--"一个不得不死两次的人"(诺克斯语)--到赫拉克勒斯以及无数其他人物、主题和形象,卡森反复重塑旧有的主题,尤其是围绕着生者与死者之间不可知的鸿沟。这篇文章采用了一种重复的方法,探讨如何将《赫拉克勒斯之死》和《特洛伊妇女》理解为与诗人的源文本、她自己的作品以及关于重复的效用的更广泛思考之间的重复对话。
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来源期刊
CiteScore
1.10
自引率
20.00%
发文量
6
期刊最新文献
Heraclean Overhaul(s): Par-a-noia, Badiou’s Un-thought, and Neurodiversity in H of H* ANNE CARSON’S EURIPIDES Slanted Translation[s]: An Interview with Artist Rosanna Bruno H of H and the Combustion of Thought Repeating after Carson
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