The Trojan Women: A Chimeric Reading (Viva Voce in a Zoom Meeting)

IF 0.9 2区 历史学 0 CLASSICS CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI:10.1525/ca.2023.42.2.302
Phoebe Giannisi
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Abstract

This piece reproduces verbatim a performative talk on Anne Carson’s and Rosanna Bruno’s The Trojan Women: A Comic. The performance draws on my own poetry and installation-video art on the ancient Greek mythical figure Chimera, which I conceive as a composite being, a creature where different species meet inside one body as various bodily parts. I interlace commentary-poems, fragments, interviews, brief citations and personal notes. Each “speech-part” of this chimeric essay then explores scene-setting, the motif of absence; animal poetics, and linguistic expression in the comic play, while underscoring the potential of my approach to capture Carson and her own chimeric work. More ambitiously, the essay challenges fixed notions of how academic and creative ideas should be framed and uttered.
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特洛伊妇女》:嵌合体解读(Zoom 会议中的 Viva Voce)
这篇作品逐字逐句地再现了安妮-卡森和罗珊娜-布鲁诺关于《特洛伊妇女》的表演性谈话:漫画。表演借鉴了我自己关于古希腊神话人物奇美拉(Chimera)的诗歌和装置视频艺术,我将奇美拉想象为一种复合存在,一种不同物种在一个身体里以不同身体部位相遇的生物。我将评论诗歌、片段、访谈、简短引文和个人笔记穿插在一起。然后,这篇嵌合文章的每个 "演讲部分 "都探讨了场景设置、缺席主题、动物诗学以及滑稽剧中的语言表达,同时强调了我的方法捕捉卡森和她自己的嵌合作品的潜力。更雄心勃勃的是,这篇文章挑战了学术和创作理念的框架和表达方式的固定观念。
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来源期刊
CiteScore
1.10
自引率
20.00%
发文量
6
期刊最新文献
Heraclean Overhaul(s): Par-a-noia, Badiou’s Un-thought, and Neurodiversity in H of H* ANNE CARSON’S EURIPIDES Slanted Translation[s]: An Interview with Artist Rosanna Bruno H of H and the Combustion of Thought Repeating after Carson
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