{"title":"Drawing in the Daily News","authors":"Ed Krčma","doi":"10.1086/727551","DOIUrl":null,"url":null,"abstract":"This article offers the first sustained exploration of a group of transfer drawings made by Robert Rauschenberg in 1958, a crucial moment in the artist’s long and influential career. The discussion is grounded in the discovery of Rauschenberg’s newspaper source material, which points to striking yet undisclosed patterns of reference within the works, enabling new interpretations and richer forms of connection to the historical moment of their production. Perhaps more important, they also reveal a striking temporal compression: in one drawing, for example, every transfer was made from newspapers published on a single day. This aligns the drawings not just with the legible content of the newspaper but also with its temporal logic. The article explores Rauschenberg’s embrace of contingency, his appeal to and subversion of reading habits proper to the papers, and the role of intermittence and fragmentation in the work, alongside his motivated engagement with specific political themes.","PeriodicalId":43434,"journal":{"name":"American Art","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"American Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/727551","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
This article offers the first sustained exploration of a group of transfer drawings made by Robert Rauschenberg in 1958, a crucial moment in the artist’s long and influential career. The discussion is grounded in the discovery of Rauschenberg’s newspaper source material, which points to striking yet undisclosed patterns of reference within the works, enabling new interpretations and richer forms of connection to the historical moment of their production. Perhaps more important, they also reveal a striking temporal compression: in one drawing, for example, every transfer was made from newspapers published on a single day. This aligns the drawings not just with the legible content of the newspaper but also with its temporal logic. The article explores Rauschenberg’s embrace of contingency, his appeal to and subversion of reading habits proper to the papers, and the role of intermittence and fragmentation in the work, alongside his motivated engagement with specific political themes.
期刊介绍：
American Art is a peer-reviewed journal dedicated to exploring all aspects of the nation"s visual heritage from colonial to contemporary times. Through a broad interdisciplinary approach, American Art provides an understanding not only of specific artists and art objects, but also of the cultural factors that have shaped American art over three centuries of national experience. The fine arts are the journal"s primary focus, but its scope encompasses all aspects of the nation"s visual culture, including popular culture, public art, film, electronic multimedia, and decorative arts and crafts. American Art embraces all methods of investigation to explore America·s rich and diverse artistic legacy, from traditional formalism to analyses of social context.
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