Principles of Vocal Education in China: Historical Traditions and Modernity

С. Се
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Abstract

Представлена краткая ретроспектива исторического развития принципов обучения вокалу в Китае. Цель статьи – анализ становления системы принципов вокального образования в Китае в преемственности традиций и современных исследований. Проанализирован вклад молодых китайских ученых-аспирантов российских вузов в формирование и развитие системы принципов вокального образования. Прослежена тенденция опоры китайскими учеными на принципы советской (российской) дидактики и педагогики вокального образования и наполнения их национальными философско-мировоззренческими смыслами и художественно-эстетическими критериями. Подчеркнута необходимость преемственности традиционных национальных и современных принципов вокального обучения в Китае для создания их целостной системы. A brief retrospective of the historical development of vocal teaching principles in China is presented. The purpose of the article is to analyze the formation of the system of principles of vocal education in China in the continuity of traditions and modern research. The contribution of young Chinese graduate students of Russian universities to the formation and development of the system of principles of vocal education is analyzed. The tendency of Chinese scientists to rely on the principles of Soviet (Russian) didactics and pedagogy of vocal education and fi ll them with national philosophical and ideological meanings and artistic and aesthetic criteria is traced. The necessity of continuity of traditional national and modern principles of vocal education in China in order to create their integral system is emphasized.
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中国声乐教育的原则:历史传统与现代性
本文简要回顾了中国声乐教育原则的历史发展。文章旨在分析中国声乐教育原则体系在继承传统和现代研究中的形成。文章分析了来自俄罗斯大学的中国年轻研究生学者对声乐教育原则体系的形成和发展所做的贡献。追溯了中国科学家依赖苏联(俄罗斯)声乐教育学和教学法原则并为其注入民族哲学和意识形态意义以及艺术和审美标准的倾向。强调了中国声乐教育的传统民族原则和现代原则的连续性,以创建其完整体系的必要性。 简要回顾了中国声乐教学原则的历史发展。文章旨在分析中国声乐教学原则体系在传统延续与现代研究中的形成。文章分析了俄罗斯高校中国年轻研究生对声乐教学原则体系的形成和发展所做的贡献。追溯了中国科学家以苏联(俄罗斯)声乐教育教学原则为基础,并将其融入民族哲学思想内涵和艺术审美标准的倾向。强调了中国声乐教育的传统民族原则和现代原则的连续性,以创建其完整体系的必要性。
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