{"title":"On the Liberation upon Hearing in the Intermediate State","authors":"Lorena Muñoz-Alonso","doi":"10.1080/07494467.2023.2295635","DOIUrl":null,"url":null,"abstract":"‘On the Liberation upon Hearing in the Intermediate State’ is a highly subjective reconstruction of a concert that Éliane Radigue gave in June 2011, when her composition Kyema was played at St. Ste...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"5 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2023.2295635","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
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Abstract
‘On the Liberation upon Hearing in the Intermediate State’ is a highly subjective reconstruction of a concert that Éliane Radigue gave in June 2011, when her composition Kyema was played at St. Ste...
期刊介绍：
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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