Pub Date : 2024-09-05DOI: 10.1080/07494467.2024.2391151
Erie Setiawan
In the last two decades (2000–2020), new music activity in Yogyakarta has grown rapidly, due to the emergence of various creative forums/spaces that have accommodated the works of composers. The em...
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Pub Date : 2024-08-28DOI: 10.1080/07494467.2024.2391157
Nyak Ina Raseuki
Indonesia’s new music, alive in some parts of the archipelago from Sumatra in the west to Papua in the east, can be seen as a musical expression, both in verbal and abstract sound form, resulting f...
印度尼西亚的新音乐活跃在从西部苏门答腊岛到东部巴布亚岛的一些群岛地区。
{"title":"Voicing Papua: The Resonance of Rituals","authors":"Nyak Ina Raseuki","doi":"10.1080/07494467.2024.2391157","DOIUrl":"https://doi.org/10.1080/07494467.2024.2391157","url":null,"abstract":"Indonesia’s new music, alive in some parts of the archipelago from Sumatra in the west to Papua in the east, can be seen as a musical expression, both in verbal and abstract sound form, resulting f...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"59 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142180137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-30DOI: 10.1080/07494467.2024.2348273
Lionel Marchetti, Cat Hope, Charlotte Mackay
Musique concrète composer Lionel Marchetti is the principal artist diffusing the electronic works of Éliane Radigue in concert settings. Based in Lyon, France, Marchetti has delivered Radigue’s mus...
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Pub Date : 2024-05-08DOI: 10.1080/07494467.2024.2348270
François J. Bonnet (translated by Robin Mackay)
In this text, I explore aspects of Éliane Radigue’s electronic works. Based on long standing exchanges and collaboration with Radigue herself, and 20 years of experience and involvement in the fiel...
{"title":"Radiguian Explorations","authors":"François J. Bonnet (translated by Robin Mackay)","doi":"10.1080/07494467.2024.2348270","DOIUrl":"https://doi.org/10.1080/07494467.2024.2348270","url":null,"abstract":"In this text, I explore aspects of Éliane Radigue’s electronic works. Based on long standing exchanges and collaboration with Radigue herself, and 20 years of experience and involvement in the fiel...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"159 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140935022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-07DOI: 10.1080/07494467.2024.2348272
Daniel Silliman
This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and technical information about her instrument t...
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Pub Date : 2024-05-07DOI: 10.1080/07494467.2024.2348275
Nate Wooley
Using Anne Carson’s concepts of ‘cliché’, ‘catastrophe’, ‘silence’, and ‘translation’ as a framework, I will trace the ways in which my collaboration with Éliane Radigue on her composition OCCAM X ...
{"title":"Translating Silence: OCCAM X as a Radical Act of Catastrophe","authors":"Nate Wooley","doi":"10.1080/07494467.2024.2348275","DOIUrl":"https://doi.org/10.1080/07494467.2024.2348275","url":null,"abstract":"Using Anne Carson’s concepts of ‘cliché’, ‘catastrophe’, ‘silence’, and ‘translation’ as a framework, I will trace the ways in which my collaboration with Éliane Radigue on her composition OCCAM X ...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"31 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140935026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-15DOI: 10.1080/07494467.2024.2331927
Published in Contemporary Music Review (Ahead of Print, 2024)
发表于《当代音乐评论》(2024 年提前出版)
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Pub Date : 2024-01-24DOI: 10.1080/07494467.2023.2300022
Mariam Rezaei, Adam Denton
In the thick of austerity, small arts communities are tested to the brink. The Arts in the North of England had been hit with staggered funding cuts, almost halving resources available from arts fu...
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Pub Date : 2024-01-11DOI: 10.1080/07494467.2024.2302274
Shantam Goyal
Literary texts often considered difficult or challenging present formidable hindrances to literature classrooms founded on ideas of mastery and understanding. This mastery is facilitated through th...
{"title":"Difficult Women: Joyce, Burns, and the Radical Passivity of Listening","authors":"Shantam Goyal","doi":"10.1080/07494467.2024.2302274","DOIUrl":"https://doi.org/10.1080/07494467.2024.2302274","url":null,"abstract":"Literary texts often considered difficult or challenging present formidable hindrances to literature classrooms founded on ideas of mastery and understanding. This mastery is facilitated through th...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"61 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139459531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-05DOI: 10.1080/07494467.2023.2295635
Lorena Muñoz-Alonso
‘On the Liberation upon Hearing in the Intermediate State’ is a highly subjective reconstruction of a concert that Éliane Radigue gave in June 2011, when her composition Kyema was played at St. Ste...
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