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New Music Activity in Yogyakarta, Indonesia 2000–2020 (History and Network) 2000-2020 年印度尼西亚日惹的新音乐活动(历史与网络)
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-09-05 DOI: 10.1080/07494467.2024.2391151
Erie Setiawan
In the last two decades (2000–2020), new music activity in Yogyakarta has grown rapidly, due to the emergence of various creative forums/spaces that have accommodated the works of composers. The em...
在过去的二十年(2000-2020 年)里,日惹的新音乐活动迅速发展,原因是出现了各种容纳作曲家作品的创作论坛/空间。这些论坛/空间的...
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引用次数: 0
Voicing Papua: The Resonance of Rituals 为巴布亚发声仪式的共鸣
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-08-28 DOI: 10.1080/07494467.2024.2391157
Nyak Ina Raseuki
Indonesia’s new music, alive in some parts of the archipelago from Sumatra in the west to Papua in the east, can be seen as a musical expression, both in verbal and abstract sound form, resulting f...
印度尼西亚的新音乐活跃在从西部苏门答腊岛到东部巴布亚岛的一些群岛地区。
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引用次数: 0
The Radiant Exterior: Lionel Marchetti performing Éliane Radigue 光芒四射的外观:莱昂内尔-马尔凯蒂表演 Éliane Radigue
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-05-30 DOI: 10.1080/07494467.2024.2348273
Lionel Marchetti, Cat Hope, Charlotte Mackay
Musique concrète composer Lionel Marchetti is the principal artist diffusing the electronic works of Éliane Radigue in concert settings. Based in Lyon, France, Marchetti has delivered Radigue’s mus...
简约音乐作曲家 Lionel Marchetti 是在音乐会中传播 Éliane Radigue 电子作品的主要艺术家。马切蒂以法国里昂为基地,将拉迪格的音乐...
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引用次数: 0
Radiguian Explorations 拉迪吉安探索
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-05-08 DOI: 10.1080/07494467.2024.2348270
François J. Bonnet (translated by Robin Mackay)
In this text, I explore aspects of Éliane Radigue’s electronic works. Based on long standing exchanges and collaboration with Radigue herself, and 20 years of experience and involvement in the fiel...
在这篇文章中,我探讨了 Éliane Radigue 电子作品的方方面面。基于与拉迪格本人的长期交流与合作,以及 20 年来在这一领域的经验和参与,我对她的电子作品进行了深入探讨。
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引用次数: 0
Presence and Absence: Notes on Éliane Radigue's ARP 2500 Synthesiser Technique 存在与缺失:关于 Éliane Radigue 的 ARP 2500 合成器技术的笔记
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-05-07 DOI: 10.1080/07494467.2024.2348272
Daniel Silliman
This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and technical information about her instrument t...
这篇文章探讨了 Éliane Radigue 使用 ARP 2500 模块化合成器工作的各个方面,分析了草图、录音和有关其乐器的技术信息。
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引用次数: 0
Translating Silence: OCCAM X as a Radical Act of Catastrophe 翻译沉默:作为灾难性激进行为的 OCCAM X
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-05-07 DOI: 10.1080/07494467.2024.2348275
Nate Wooley
Using Anne Carson’s concepts of ‘cliché’, ‘catastrophe’, ‘silence’, and ‘translation’ as a framework, I will trace the ways in which my collaboration with Éliane Radigue on her composition OCCAM X ...
以安妮-卡森(Anne Carson)的 "陈词滥调"、"灾难"、"沉默 "和 "翻译 "概念为框架,我将追溯我与爱莉安-拉迪格(Éliane Radigue)合作创作《OCCAM X》的过程。
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引用次数: 0
Statement of Retraction: “A Diptych of Eidetic Imagery and an Acoustic Essay on Time: The Road to Damascus and The First Eastern Dream”, by Ivana Stefanovic 撤回声明:"伊万娜-斯特凡诺维奇:"关于时间的意象双联画和声学论文:《通往大马士革之路》和《最初的东方之梦
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-04-15 DOI: 10.1080/07494467.2024.2331927
Published in Contemporary Music Review (Ahead of Print, 2024)
发表于《当代音乐评论》(2024 年提前出版)
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引用次数: 0
The Old Police House (TOPH): Treatise 旧警察厅(TOPH):论文
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-01-24 DOI: 10.1080/07494467.2023.2300022
Mariam Rezaei, Adam Denton
In the thick of austerity, small arts communities are tested to the brink. The Arts in the North of England had been hit with staggered funding cuts, almost halving resources available from arts fu...
在紧缩政策的重压下,小型艺术团体面临着严峻考验。英格兰北部的艺术受到了交错削减资金的打击,艺术基金提供的资源几乎减少了一半。
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引用次数: 0
Difficult Women: Joyce, Burns, and the Radical Passivity of Listening 难缠的女人乔伊斯、伯恩斯和倾听的激进被动性
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-01-11 DOI: 10.1080/07494467.2024.2302274
Shantam Goyal
Literary texts often considered difficult or challenging present formidable hindrances to literature classrooms founded on ideas of mastery and understanding. This mastery is facilitated through th...
文学课文通常被认为是艰涩难懂或具有挑战性的,这给以掌握和理解为基础的文学课堂带来了巨大的障碍。这种掌握和理解可以通过...
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引用次数: 0
On the Liberation upon Hearing in the Intermediate State 论中间状态下的听觉解脱
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2024-01-05 DOI: 10.1080/07494467.2023.2295635
Lorena Muñoz-Alonso
‘On the Liberation upon Hearing in the Intermediate State’ is a highly subjective reconstruction of a concert that Éliane Radigue gave in June 2011, when her composition Kyema was played at St. Ste...
在中间状态中解放听觉 "是对 2011 年 6 月 Éliane Radigue 音乐会的高度主观再现,当时她的作品 "Kyema "在 St.
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引用次数: 0
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Contemporary Music Review
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