Erasing the Pink on the World Atlas: Re-Mapping African American Literature

Yanli He
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Abstract

This article aims at analyzing Henry Louis Gates’ theoretical strategies for remapping the African American literary space within the context of both American literature and world literary system. Gates’ strategies can be delineated through four stages. Firstly, he excavates a vast array of African American literary texts. In the second stage, he traces the lineage of African American literary theory to its origins within the African interpretation system. During the third stage, he employs African American literary theory to curate the African American literary canon. In the fourth and final stage, within the realm of African American literature, Gates endeavors to rebalance the representation of female and male voices within the literary space. A pivotal aspect of Gates’ strategies lies in his willingness to embrace and celebrate the African legacy, setting him apart from other marginalized nations and minority groups who may tend to disregard or belittle their own heritage. Building upon this distinctive characteristic, this article posits that Gates’ approach holds the potential to assist marginalized nations and minority groups in several ways: 1) Re-mapping literary space: Gates’ strategies can guide these groups in redefining their literary space within the broader contexts of both national and global literature systems. 2) Claiming literary legacy: emulating Gates, these groups can be inspired to embrace and champion their own literary heritage, instead of diminishing its significance. 3) Fostering indigenous literary models: by adopting Gates’ model, writers from these communities can craft their literary space grounded in their native or national paradigms, as opposed to adhering solely to Western European or U.S. models. 4) Balancing literary representation: Gates’ strategies also facilitate the recalibration of the literary landscape within these nations or groups by accommodating diverse elements such as race, gender, and class, thereby achieving a more inclusive and balanced representation. Overall, Gates’ methodology offers a powerful framework for marginalized communities to assert their literary identities, reshape their narratives, remap their literary spaces, and promote diversity within their literary landscapes.
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在《世界地图集》上抹去粉红色:重新绘制非裔美国文学地图
本文旨在分析亨利-路易斯-盖茨在美国文学和世界文学体系背景下重塑非裔美国人文学空间的理论策略。盖茨的策略可分为四个阶段。首先,他挖掘了大量非裔美国人的文学文本。第二阶段,他追溯了非裔美国人文学理论在非洲阐释体系中的渊源。在第三阶段,他运用非裔美国人文学理论对非裔美国人文学典籍进行了梳理。在第四阶段,也是最后一个阶段,在非裔美国人文学领域,盖茨努力重新平衡文学空间中女性和男性声音的代表性。盖茨策略的一个重要方面在于他愿意接受和颂扬非洲遗产,这使他有别于其他边缘化民族和少数群体,后者可能倾向于忽视或贬低自己的遗产。基于这一独特之处,本文认为盖茨的方法有可能在以下几个方面帮助边缘化国家和少数群体:1) 重新规划文学空间:盖茨的策略可以指导这些群体在国家和全球文学体系的大背景下重新定义他们的文学空间。2) 追寻文学遗产:效仿盖茨,这些群体可以受到启发,拥抱并拥护自己的文学遗产,而不是贬低其重要性。3) 培育本土文学模式:通过采用盖茨的模式,这些群体的作家可以在其本土或民族范式的基础上打造自己的文学空间,而不是仅仅遵循西欧或美国的模式。4) 平衡文学的代表性:盖茨的策略还有助于重新调整这些国家或群体的文学格局,容纳种族、性别和阶级等不同元素,从而实现更具包容性和平衡的代表性。总之,盖茨的方法论为边缘化群体提供了一个强大的框架,使他们能够坚持自己的文学身份,重塑自己的叙事,重新规划自己的文学空间,并促进其文学景观的多样性。
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