{"title":"Trademark Law and the Contingent Art Object","authors":"Xiyin Tang","doi":"10.1162/grey_a_00392","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":"76 5","pages":"73-76"},"PeriodicalIF":0.3000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Grey Room","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/grey_a_00392","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
期刊介绍：
Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of current aesthetic and critical debates. Featuring original articles, translations, interviews, dossiers, and academic exchanges, Grey Room emphasizes aesthetic practice and historical and theoretical discourse that appeals to a wide range of readers, including architects, artists, scholars, students, and critics.
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