Modern narrative structure in animated short films: a tool to increase suspense

Elahe Saberi
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Abstract

Classical narrative structure introduces specific principles and features to keep the audience engaged with the film. Modern, nonlinear narrative structures, however, provide their own techniques and tools in this sense. They can be utilized in animated short films to develop anticipation and suspense. The majority of animated short films are still focusing on classical narrative principles which only allows chronological order of time and sequence of events. Yet, a considerable potential of applying various nonlinear structures can be addressed when it comes to modern storytelling in animation. Consequently, filmmakers are able to increase suspense by solely adopting such variations. This paper discusses nonlinear narrative structures in five animated short films, “If anything happens I love you” (2021), “Alma” (2009), “Skhizein” (2008), “The house of small cubes” (2008) and “Maestro” (2005), and the way they suggest increased suspense by deviating from classical narrative principles. The present paper explains such potential by relying on David Bordwell theories, where he put an emphasis on important aspects of nonlinear narratives such as time, order, duration and frequency in particular. This paper argues that not only applying nonlinear structures are viable in the context of animated short films, different variations can be utilized as a powerful, innovative and beneficial tool in order to grab and hold the audience’s attention without having to concentrate on an excessively complicated timeline in the story.
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动画短片中的现代叙事结构:增加悬念的工具
经典叙事结构引入了特定的原则和特征,以保持观众对影片的参与。然而,现代非线性叙事结构在这个意义上提供了自己的技术和工具。在动画短片中,它们可以用来制造期待和悬念。大多数动画短片仍然遵循传统的叙事原则,即只允许按时间顺序和事件顺序来叙事。然而,在现代动画叙事中,各种非线性结构的应用潜力巨大。因此,电影制作者完全可以通过这种变化来增加悬念。本文讨论了五部动画短片《如果发生什么事,我爱你》(2021 年)、《Alma》(2009 年)、《Skhizein》(2008 年)、《小方块的房子》(2008 年)和《大师》(2005 年)中的非线性叙事结构,以及它们如何通过偏离经典叙事原则来增加悬念。本文以大卫-波德维尔(David Bordwell)的理论来解释这种潜力,他特别强调了非线性叙事的重要方面,如时间、顺序、持续时间和频率。本文认为,不仅非线性结构在动画短片中是可行的,不同的变体也可以作为一种强大、创新和有益的工具加以利用,从而抓住并留住观众的注意力,而不必将注意力集中在故事中过于复杂的时间轴上。
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