{"title":"Recontextualising Roland Barthes through Bruce Nauman’s video installations and Antonin Artaud’s Theatre of Cruelty","authors":"Chris Doyen","doi":"10.1080/14735784.2023.2286223","DOIUrl":null,"url":null,"abstract":"A recontextualisation of Roland Barthes’s concepts of the third meaning and the punctum is presented through an analysis of Bruce Nauman’s installation art and Antonin Artaud’s Theatre of Cruelty. ...","PeriodicalId":43943,"journal":{"name":"Culture Theory and Critique","volume":"9 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2024-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture Theory and Critique","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14735784.2023.2286223","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
A recontextualisation of Roland Barthes’s concepts of the third meaning and the punctum is presented through an analysis of Bruce Nauman’s installation art and Antonin Artaud’s Theatre of Cruelty. ...
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