{"title":"The afterlife of uprisings in the work of Georges Didi-Huberman and João Moreira Salles’ No Intenso Agora.","authors":"Stijn De Cauwer","doi":"10.1080/14735784.2024.2371016","DOIUrl":null,"url":null,"abstract":"In the exhibition Soulèvements, curated by Georges Didi-Huberman, various manifestations of gestures indicating the desire to rise up were displayed. This exhibition triggered the criticism of deco...","PeriodicalId":43943,"journal":{"name":"Culture Theory and Critique","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2024-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture Theory and Critique","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14735784.2024.2371016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
In the exhibition Soulèvements, curated by Georges Didi-Huberman, various manifestations of gestures indicating the desire to rise up were displayed. This exhibition triggered the criticism of deco...