Critical consciousness, heritage, and the shape of museum practice

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Curator: The Museum Journal Pub Date : 2024-01-25 DOI:10.1111/cura.12602
John Fraser
{"title":"Critical consciousness, heritage, and the shape of museum practice","authors":"John Fraser","doi":"10.1111/cura.12602","DOIUrl":null,"url":null,"abstract":"<p>As I approach my ninth and final year as the Editor of Curator: The Museum Journal, I reflect on the remarkable journey of the past decade. We've experienced extraordinary growth in readership and a shift in our editorial board to better represent our international readership. Initiatives like a multilingual translations program and updated ethics policies, especially recognizing community members involved in participatory action research as authors, are now part of our core values. In 2023, we also concluded a 2-year study with Drs. Rafie Cecelia and Theano Moussouri from University College London that now provides guidance to authors on how to write detailed figure descriptions that enhance accessibility to screen readers for our online content.</p><p>Throughout my tenure, we've seen consistent growth in contributions that rigorously assess museum practice and theory through larger scale comparative studies. While my concern about the dominance of single case studies in our archive, we are starting to witness a noteworthy trend—the increasing involvement of museum professionals as guest editors for special issues, and researchers taking on field wide questions with representative data. We see more of these trends reflected in the special issues published in the last few years, whether on materials like ivory or phenomena like sound. These scholarly efforts provide critical insights that challenge the museum movement to reconsider the societal service it provides. The current issue builds on this practice by presenting one of the critical concerns of our current era: How museums can use their power to rectify the field's collusion in suppressing peoples and culture.</p><p>This period in the museum industry signifies a crucial moment in redefining practices. The MoHoA movement challenges equity and dominance hierarchies, steering away from Eurocentric orthodoxy. This shift suggests the current museum definition will require an update soon. Situated under the theme of the Anthropocene, this work acknowledges the existential crises museums face related to material culture and human expansion.</p><p>Guest editors Dr. Edward Denison and Editorial Board Member Dr. Shahid Vawda led this issue on behalf of a global network working to decolonize modern history in the museum sector. Their commitment represents a pivotal moment in the museum movement, emphasizing critical thinking as a foundation for challenging conventions.</p><p>We first published the draft version of The Cape Town Document in July 2022. In this issue, we publish the most recent consensus version of The Cape Town Document on Modern Heritage as an open access public document. It is a watershed manifesto that calls on museum and heritage professionals to reshape what we know as cultural memory, advocating for a shift in positionality and acknowledging pluralities and intersectional issues. This document, as a community product, also exemplifies the best of what can be achieved with open peer-review. It took some with with our publishers to align to how journal articles are accepted because this document was subject to open peer-review for 18 months. It does not have a “first author” nor does it have an institution attached to it as a holder of copyright. Rather, it is the work of a community of practice that works without demand for hierarchy and ownership. In publishing this the final result, our team at Wiley has worked through these issues of intellectual property and ownership as something that can bend as we work to respond to principles of equity in publishing.</p><p>Collaborating with Drs. Denison and Vawda on this issue and our past issue allowed me to witness the best in critical thinking. Their tireless work at rectifying past wrongs has been a highlight in the many things I do as editor for this journal. I also believe that this issue provides a roadmap for the museum journal sector to further support the next generation with an eye toward reparations. Many of the authors in this issue propose a new and more practical relationship to history and planet, emphasizing the debt owed to cultures plundered and people whose names were buried by a monocular view of western European orthodoxy and individuality as the norm for understanding heritage. The Cape Town Document calls on museum professionals to rise above these past biases and serves as a community-wide call to action. It asks museum workers to become cultural healers, dedicating their time, effort, and scholarly skill to remediating our patchwork of records.</p><p>Editors and peer-reviewers shape stronger voices and open gates for new ideas. As my successor search begins at Wiley, I encourage finding someone well-versed in emerging challenges, willing to hold space for rewriting history. This sixty-seventh-year journal represents a flourishing international debate on museums' future potential. I am confident Wiley will identify the right person to assist these new critical voices.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.12602","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Curator: The Museum Journal","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/cura.12602","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

Abstract

As I approach my ninth and final year as the Editor of Curator: The Museum Journal, I reflect on the remarkable journey of the past decade. We've experienced extraordinary growth in readership and a shift in our editorial board to better represent our international readership. Initiatives like a multilingual translations program and updated ethics policies, especially recognizing community members involved in participatory action research as authors, are now part of our core values. In 2023, we also concluded a 2-year study with Drs. Rafie Cecelia and Theano Moussouri from University College London that now provides guidance to authors on how to write detailed figure descriptions that enhance accessibility to screen readers for our online content.

Throughout my tenure, we've seen consistent growth in contributions that rigorously assess museum practice and theory through larger scale comparative studies. While my concern about the dominance of single case studies in our archive, we are starting to witness a noteworthy trend—the increasing involvement of museum professionals as guest editors for special issues, and researchers taking on field wide questions with representative data. We see more of these trends reflected in the special issues published in the last few years, whether on materials like ivory or phenomena like sound. These scholarly efforts provide critical insights that challenge the museum movement to reconsider the societal service it provides. The current issue builds on this practice by presenting one of the critical concerns of our current era: How museums can use their power to rectify the field's collusion in suppressing peoples and culture.

This period in the museum industry signifies a crucial moment in redefining practices. The MoHoA movement challenges equity and dominance hierarchies, steering away from Eurocentric orthodoxy. This shift suggests the current museum definition will require an update soon. Situated under the theme of the Anthropocene, this work acknowledges the existential crises museums face related to material culture and human expansion.

Guest editors Dr. Edward Denison and Editorial Board Member Dr. Shahid Vawda led this issue on behalf of a global network working to decolonize modern history in the museum sector. Their commitment represents a pivotal moment in the museum movement, emphasizing critical thinking as a foundation for challenging conventions.

We first published the draft version of The Cape Town Document in July 2022. In this issue, we publish the most recent consensus version of The Cape Town Document on Modern Heritage as an open access public document. It is a watershed manifesto that calls on museum and heritage professionals to reshape what we know as cultural memory, advocating for a shift in positionality and acknowledging pluralities and intersectional issues. This document, as a community product, also exemplifies the best of what can be achieved with open peer-review. It took some with with our publishers to align to how journal articles are accepted because this document was subject to open peer-review for 18 months. It does not have a “first author” nor does it have an institution attached to it as a holder of copyright. Rather, it is the work of a community of practice that works without demand for hierarchy and ownership. In publishing this the final result, our team at Wiley has worked through these issues of intellectual property and ownership as something that can bend as we work to respond to principles of equity in publishing.

Collaborating with Drs. Denison and Vawda on this issue and our past issue allowed me to witness the best in critical thinking. Their tireless work at rectifying past wrongs has been a highlight in the many things I do as editor for this journal. I also believe that this issue provides a roadmap for the museum journal sector to further support the next generation with an eye toward reparations. Many of the authors in this issue propose a new and more practical relationship to history and planet, emphasizing the debt owed to cultures plundered and people whose names were buried by a monocular view of western European orthodoxy and individuality as the norm for understanding heritage. The Cape Town Document calls on museum professionals to rise above these past biases and serves as a community-wide call to action. It asks museum workers to become cultural healers, dedicating their time, effort, and scholarly skill to remediating our patchwork of records.

Editors and peer-reviewers shape stronger voices and open gates for new ideas. As my successor search begins at Wiley, I encourage finding someone well-versed in emerging challenges, willing to hold space for rewriting history. This sixty-seventh-year journal represents a flourishing international debate on museums' future potential. I am confident Wiley will identify the right person to assist these new critical voices.

查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
批判意识、遗产和博物馆实践的形态
在我担任《策展人》编辑的第九个年头,也是最后一个年头即将到来之际,我回顾了过去十年的非凡历程:在我担任《博物馆馆长:博物馆杂志》编辑的第九个年头即将结束之际,我回顾了过去十年的非凡历程。我们经历了读者数量的非凡增长和编辑委员会的转变,以更好地代表我们的国际读者群。多语种翻译计划和更新的伦理政策等举措,特别是承认参与行动研究的社区成员为作者,现已成为我们核心价值的一部分。2023 年,我们还与伦敦大学学院的拉菲-塞西莉亚(Rafie Cecelia)博士和特亚诺-穆苏里(Theano Moussouri)博士合作完成了一项为期两年的研究,该研究现在可以指导作者如何撰写详细的图表说明,以提高屏幕阅读器对我们在线内容的可访问性。虽然我对我们的档案中单一案例研究占主导地位表示担忧,但我们也开始看到一个值得注意的趋势--越来越多的博物馆专业人士参与到特刊的客座编辑工作中来,而研究人员则利用具有代表性的数据来解决整个领域的问题。我们在过去几年出版的特刊中看到了更多这样的趋势,无论是象牙等材料还是声音等现象。这些学术努力提供了重要的见解,对博物馆运动提出了挑战,要求其重新考虑所提供的社会服务。本期杂志在此基础上提出了当今时代的一个关键问题:博物馆如何利用自身的力量来纠正该领域在压制民族和文化方面的合谋行为。博物馆行业的这一时期标志着重新定义实践的关键时刻。博物馆和艺术博物馆运动挑战了公平和主导等级制度,摆脱了以欧洲为中心的正统观念。这种转变表明,当前的博物馆定义很快就需要更新。特邀编辑爱德华-丹尼森(Edward Denison)博士和编辑委员会成员沙希德-瓦达(Shahid Vawda)博士代表一个致力于在博物馆领域实现现代历史非殖民化的全球网络领导了本期杂志。他们的承诺代表了博物馆运动的关键时刻,强调批判性思维是挑战传统的基础。我们于 2022 年 7 月首次发布了《开普敦文件》的草案版本。本期,我们将《开普敦现代遗产文件》的最新共识版本作为公开文件发布。这是一份具有分水岭意义的宣言,呼吁博物馆和遗产专业人员重塑我们所熟知的文化记忆,倡导转变立场,承认多元性和交叉性问题。这份文件作为社区产品,也体现了开放式同行评审所能达到的最佳效果。我们花了一些时间与出版商沟通,使其与期刊论文的接受方式保持一致,因为这份文件接受了 18 个月的公开同行评审。它没有 "第一作者",也没有作为版权持有者的机构。相反,它是一个没有等级和所有权要求的实践社区的作品。在出版这本最终成果时,我们威利的团队将这些知识产权和所有权问题作为我们在出版工作中回应公平原则时可以弯曲的东西。与丹尼森博士和瓦尔达博士合作出版这一期和上一期杂志,让我见证了批判性思维的最佳表现。他们孜孜不倦地纠正过去的错误,是我作为本刊编辑所做的许多工作中的亮点。我还认为,本期杂志为博物馆期刊界提供了一个路线图,以进一步支持下一代的赔偿工作。本期的许多作者提出了一种与历史和地球之间新的、更加务实的关系,强调了对那些被掠夺的文化和那些被西欧正统和个性的单一视角视为理解遗产的准则而埋没了名字的人们的亏欠。开普敦文件》呼吁博物馆专业人员超越过去的偏见,并呼吁全社会采取行动。它要求博物馆工作者成为文化治疗师,投入他们的时间、精力和学术技能来修补我们的记录碎片。在威利开始寻找我的继任者时,我鼓励大家找到一位精通新挑战、愿意为重写历史留出空间的人。这本创刊六十七年的杂志代表了国际上对博物馆未来潜力的热烈讨论。我相信 Wiley 会找到合适的人选来协助这些新的批评声音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
期刊最新文献
Invisible victims: How children's museums are strengthening families through partnerships with correctional facilities Holders of battered memories: Exploring suitcases as museum metaphors for travel, exile, and incarceration Objects of “imprisonment”: Diasporic museum collections on ethnographic display The W‐ICAD model: Redefining museum access through the Workshop for Inclusive Co‐created Audio Description Exploring virtual museums: Pre‐service teachers' experiences of virtual museums in gifted and talented education
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1