“Nothing I Could Teach Him”: Good Burns and Best Readings

Q4 Social Sciences Dialogue Pub Date : 2024-01-24 DOI:10.1017/s0012217324000015
Jason Holt
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引用次数: 0

Abstract

Steven Burns argues that rich works of art tend to yield best readings rather than ambiguous interpretations. This is no mere statistical claim. Rather, Burns holds that such richness makes ambiguity less likely or sustainable. As a champion of multiple interpretability, I criticize Burns’s account. Adding detail to an ambiguous work may not disambiguate it and may in fact increase the range of equally rewarding interpretations. Ambiguous works are furthermore numerous and noteworthy, and range across various artforms. All else being equal, ambiguity appears to add to rather than detract from the richness of artworks.
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"我什么也教不了他好烧和最佳读物
史蒂文-伯恩斯(Steven Burns)认为,内容丰富的艺术作品往往能产生最佳解读,而不是模棱两可的解释。这并不仅仅是统计学上的说法。相反,伯恩斯认为,这种丰富性使得模糊性更不可能或更难持续。作为多重可解释性的拥护者,我批评伯恩斯的说法。为模棱两可的作品增加细节未必能消除歧义,事实上可能会增加同样有价值的解释的范围。此外,模棱两可的作品不胜枚举,值得关注,而且涉及各种艺术形式。在其他条件相同的情况下,模糊性似乎会增加而不是减少艺术作品的丰富性。
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来源期刊
Dialogue
Dialogue Social Sciences-Development
CiteScore
0.10
自引率
0.00%
发文量
39
期刊介绍: Dialogue is the official journal of the Canadian Philosophical Association. Its purpose is to publish high quality peer-reviewed scholarly articles, book symposia, critical notices, and book reviews in English and in French, in support of the Association"s mandate to promote philosophical scholarship and education. It is open to contributions in all branches of philosophy and from any philosophical perspective. Readers include professional teachers of philosophy, graduate students, and others with an interest in the field. Published for the Canadian Philosophical Association
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