Space oddity – Reading Nirmal Puwar’s Space Invaders: race, gender and bodies out of place in decolonial times

Roshi Naidoo
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Abstract

UK museums are embracing decolonisation as a discourse and an institutional cultural policy. There has been a shift in the sector whereby discussions of colonial violence and white supremacy have become more common. Do we feel optimism at this turn or should we also be wary? Just as the museum has historically helped determine the canon of knowledge, it can also determine the ways in which we unpack and critique that canon. It can seek to manage its troubling ‘others’ in ways which may both give voice to them, but also contain and limit those voices. It can be the means through which it manages a fear of its own engulfment and loss of power and authority. How will institutions deal with the fact that we are not coming for ‘inclusion’ but for power? Viewed through the prism of my own work with museums and informed by Space Invaders and Puwar’s observation that black women are ‘offered the floor to speak of marginality’ (p. 73), this piece will give a personal analysis of my shifting spatial and somatic discomfort as structural and political.
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太空奇观--解读 Nirmal Puwar 的《太空入侵者》:种族、性别与非殖民时代的失格身体
英国博物馆正在将非殖民化作为一种话语和机构文化政策。该领域已经发生了转变,对殖民暴力和白人至上主义的讨论变得更加普遍。对于这种转变,我们是感到乐观,还是应该保持警惕?正如博物馆在历史上帮助决定知识的典范一样,它也可以决定我们解读和批判这一典范的方式。它可以设法管理其令人不安的 "他者",其方式既可以让这些 "他者 "发出声音,也可以遏制和限制这些声音。它可以是一种手段,通过这种手段,它可以控制对自身被吞噬以及失去权力和权威的恐惧。我们不是来寻求 "包容",而是来寻求权力,各机构将如何应对这一事实?通过我自己在博物馆工作的棱镜,并借鉴《空间入侵者》和普瓦尔关于黑人女性 "被提供发言机会来谈论边缘性"(第 73 页)的观点,这篇文章将对我作为结构性和政治性的空间和躯体不适进行个人分析。
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