Muslim Women and the Politics of Representation (2002)*

Q3 Arts and Humanities American Journal of Islam and Society Pub Date : 2024-02-05 DOI:10.35632/ajis.v41i1.3422
Jasmin Zine
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Abstract

This paper examines the politics of knowledge production as it relates to Muslim women in western literary traditions and contemporary feminist writing, with a view to understanding the political, ideological, and economic mediations that have historically framed these representations. The meta-narrative of the Muslim woman has shifted from the bold queens of medieval literature to colonial images of the seraglio’s veiled, secluded, and oppressed women. Contemporary feminist writing and popular culture have reproduced the colonial motifs of Muslim women, and these have regained currency in the aftermath of 9/11.Drawing upon the work of Mohja Kahf, this paper begins by mapping the evolution of the Muslim woman archetype in western literary traditions. The paper then examines how some contemporary feminist literature has reproduced in new ways the discursive tropes that have had historical currency in Muslim women’s textual representation. The analysis is attentive to the ways in which the cultural production of knowledge about Muslim women has been implicated historically by the relations of power between the Muslim world and the West. *This article was first published in the American Journal of Islamic Social Sciences 19, no. 4 (2002): 1-22
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穆斯林妇女与代表权政治》(2002 年)* 。
本文探讨了西方文学传统和当代女权主义写作中与穆斯林妇女相关的知识生产政治,以期了解历史上构成这些表述的政治、意识形态和经济中介。穆斯林妇女的元叙事已从中世纪文学中大胆的女王形象转变为蒙面、隐居和受压迫的殖民地妇女形象。当代女权主义写作和流行文化再现了穆斯林妇女的殖民主题,这些主题在 9/11 事件后重新流行起来。本文借鉴莫哈-卡夫(Mohja Kahf)的研究成果,首先描绘了穆斯林妇女原型在西方文学传统中的演变过程。然后,本文探讨了一些当代女权主义文学如何以新的方式再现了穆斯林妇女文本表述中历史上流行的话语套路。本文分析了穆斯林世界与西方之间的权力关系在历史上如何影响了穆斯林妇女知识的文化生产。4 (2002):1-22
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CiteScore
0.40
自引率
0.00%
发文量
28
审稿时长
24 weeks
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