Fourfolded objects, or toward a philosophy of object‐oriented curation

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Curator: The Museum Journal Pub Date : 2024-02-02 DOI:10.1111/cura.12612
J. Kahambing
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Abstract

This paper attempts to contextualize a philosophy of curation that is object‐oriented or toward a “return to the object.” In the museum, three interrelated philosophical problems pervade curation practices that prevent access to the object as it is. Here, the subject‐object relations or idealism‐realism issues are reconsidered as a specific niche of the philosophy of curation. To address these issues, this paper claims that Jean‐Paul Martinon and Graham Harman's philosophical return to the Heideggerian fourfold (das Geviert) can introduce creative pathways for the curated object that is riddled with excess and tensions. Later, with some caveats, the paper addresses the issues and suggests a possible avenue for further research.
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四面八方的对象,或面向对象的策展哲学
本文试图阐述一种以对象为导向或 "回归对象 "的策展哲学。在博物馆中,有三个相互关联的哲学问题充斥着策展实践,它们阻碍了人们接触对象的本来面目。在此,主客体关系或唯心主义-现实主义问题被重新视为策展哲学的一个特殊领域。为了解决这些问题,本文主张让-保罗-马蒂农和格雷厄姆-哈曼从哲学角度回归海德格尔的四重境界(das Geviert),为充满过度和紧张的策展对象引入创造性的途径。随后,在提出一些注意事项后,本文探讨了相关问题,并提出了进一步研究的可能途径。
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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
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