From Hell to Hell: Central Africans and Catholic Visual Catechesis in the Early Modern Atlantic Slave Trade

IF 0.3 2区 艺术学 0 ART Art History Pub Date : 2024-02-07 DOI:10.1111/1467-8365.12753
Larissa Brewer-García, Cécile Fromont
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Abstract

In seventeenth-century Cartagena de Indias, a portcity in today's Colombia, enslaved Africans recently disembarked from the Middle Passage faced a Jesuit-designed multisensory catechesis. The process involved listening to translations of the Christian doctrine delivered by African interpreter-catechists enslaved by the Jesuits, often in conjunction with images. Hell featured prominently in this oral and visual catechesis. This essay analyses the violent confrontation between infernal imagery and survivors of the Middle Passage from regions in and around Kongo and Angola by unfolding a strategically oblique approach to the lacunar, biased records about this critical moment. It examines the vast Atlantic linguistic, spiritual, and visual ramifications of the catechesis to highlight the affective response of enslaved men and women to their captivity and displacement as subjects in history, viewers of works of art, and actors in the dramatic events of enslavement. It brings new, documented, historically situated, and culturally elucidated insights to the study of the transatlantic slave trade.
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从地狱到地狱中非人与近代早期大西洋奴隶贸易中的天主教视觉教义
十七世纪的卡塔赫纳德印第亚斯是今天哥伦比亚的一个港口城市,在那里,刚从 "中途航程 "上岸的非洲奴隶面临着耶稣会设计的多感官教义。在这一过程中,他们要聆听被耶稣会士奴役的非洲口译员--教士对基督教教义的翻译,通常还要配合图像。地狱在这种口头和视觉教义中占有突出地位。这篇文章分析了地狱意象与来自金刚和安哥拉及其周边地区的 "中途航行 "幸存者之间的激烈对抗,对有关这一关键时刻的零散、偏颇的记录进行了策略性的斜视。该书研究了教义对大西洋语言、精神和视觉的巨大影响,强调了被奴役的男女作为历史的主体、艺术作品的观众和被奴役的戏剧性事件的演员,对其被囚禁和流离失所的情感反应。它为跨大西洋贩卖奴隶的研究带来了新的、有据可查的、有历史背景的和有文化阐释的见解。
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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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