{"title":"“Der Tod in Venedig” und die Grenzgänge des Erzählens: Interkulturelle Analysen","authors":"Tobias Boes","doi":"10.1080/00168890.2023.2286720","DOIUrl":null,"url":null,"abstract":"Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 1, 2024)","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Germanic Review: Literature, Culture, Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00168890.2023.2286720","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 1, 2024)
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