Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2382433
Saskia Haag
The short drama Mörder Hoffnung der Frauen by Oskar Kokoschka (1886–1980), first published in 1910, underwent repeated revisions. Based on a close examination of the significant changes he made, th...
奥斯卡-科科什卡（1886-1980 年）的短剧《Mörder Hoffnung der Frauen》于 1910 年首次出版，后经过反复修改。在仔细研究他所做的重大修改的基础上，我们对这部短剧进行了重新编排。
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Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2378590
Lorna Martens
Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 3, 2024)
发表于《日耳曼评论》：文学、文化、理论》（第 99 卷第 3 期，2024 年）
{"title":"To the Collector Belong the Spoils: Modernism and the Art of Appropriation","authors":"Lorna Martens","doi":"10.1080/00168890.2024.2378590","DOIUrl":"https://doi.org/10.1080/00168890.2024.2378590","url":null,"abstract":"Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 3, 2024)","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2372778
Inka Mülder-Bach
In a reading of Goethe’s exemplary Novella, the essay seeks to show that Juliane Vogel’s study of dramatic entrances can be made fruitful for the analysis of narrative Darstellung. In this late wor...
{"title":"Tiger, Advancing: Energéia, Adventure, Emergence in Goethe’s Novella","authors":"Inka Mülder-Bach","doi":"10.1080/00168890.2024.2372778","DOIUrl":"https://doi.org/10.1080/00168890.2024.2372778","url":null,"abstract":"In a reading of Goethe’s exemplary Novella, the essay seeks to show that Juliane Vogel’s study of dramatic entrances can be made fruitful for the analysis of narrative Darstellung. In this late wor...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2372777
Juliane Vogel
This article examines the act of making an entrance as a constitutive but long-neglected formal device of drama. Against an Aristotelian view that considers plot the central dramatic device, it dra...
{"title":"“Who’s there?”: On the Crisis Structure of Entrances in Drama and Theater","authors":"Juliane Vogel","doi":"10.1080/00168890.2024.2372777","DOIUrl":"https://doi.org/10.1080/00168890.2024.2372777","url":null,"abstract":"This article examines the act of making an entrance as a constitutive but long-neglected formal device of drama. Against an Aristotelian view that considers plot the central dramatic device, it dra...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2369883
Eva Eßlinger
“How does the entrance of a character on the tragic stage affect their visibility and presence? “This question is at the heart of Juliane Vogel’s latest book, Making an Entrance: Appearing on the S...
"悲剧舞台上人物的登场如何影响其知名度和存在感？"这个问题是朱莉安-沃格尔（Juliane Vogel）最新著作《登场》（Making an Entrance）的核心内容：这个问题正是朱莉安-沃格尔的新书《登场：在舞台上亮相》的核心所在。
{"title":"A Forgotten Soldier: Entry of the Nonheroic in Sophocles’s Philoctetes","authors":"Eva Eßlinger","doi":"10.1080/00168890.2024.2369883","DOIUrl":"https://doi.org/10.1080/00168890.2024.2369883","url":null,"abstract":"“How does the entrance of a character on the tragic stage affect their visibility and presence? “This question is at the heart of Juliane Vogel’s latest book, Making an Entrance: Appearing on the S...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2378595
Stephen Ross, Claire Bates, James Ziolkoski
Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 3, 2024)
发表于《日耳曼评论》：文学、文化、理论》（第 99 卷第 3 期，2024 年）
{"title":"The Language of Trauma: War and Technology in Hoffmann, Freud, and Kafka","authors":"Stephen Ross, Claire Bates, James Ziolkoski","doi":"10.1080/00168890.2024.2378595","DOIUrl":"https://doi.org/10.1080/00168890.2024.2378595","url":null,"abstract":"Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 3, 2024)","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2378154
Julia Reinhard Lupton
Responding to the work of Juliane Vogel, this essay draws on Elizabethan stagecraft, Shakespearean dramaturgy, and philosophies of courage in order to analyze the forms of self-disclosure and new b...
{"title":"Enter with Courage: Emergence and Ground in Shakespeare, Arendt, and Tillich","authors":"Julia Reinhard Lupton","doi":"10.1080/00168890.2024.2378154","DOIUrl":"https://doi.org/10.1080/00168890.2024.2378154","url":null,"abstract":"Responding to the work of Juliane Vogel, this essay draws on Elizabethan stagecraft, Shakespearean dramaturgy, and philosophies of courage in order to analyze the forms of self-disclosure and new b...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2372766
David E. Wellbery
The essay argues that Lessing’s Nathan der Weise, Goethe’s Iphigenie auf Tauris, and Mozart’s and Schikaneder’s Die Zauberflöte—products of a slightly dilated decade (1779–91)—realize a single morp...
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Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2375540
Ella Wilhelm
When Oedipus enters the stage for the first time in Sophocles’ Oedipus the King, he carries the invisible burden of a backstory—familiar to spectators but not yet himself—that calls into question h...
{"title":"Recognition and its Grounds in Sophocles’ Oedipus the King","authors":"Ella Wilhelm","doi":"10.1080/00168890.2024.2375540","DOIUrl":"https://doi.org/10.1080/00168890.2024.2375540","url":null,"abstract":"When Oedipus enters the stage for the first time in Sophocles’ Oedipus the King, he carries the invisible burden of a backstory—familiar to spectators but not yet himself—that calls into question h...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-26DOI: 10.1080/00168890.2024.2377657
Jake Fraser
This paper argues that the work of Erving Goffman can be profitably re-read with the aid of Juliane Vogel’s work on the cultural logic of “the entrance” [der Auftritt]. Although Goffman’s “dramatur...
{"title":"Enter Goffman: On Entrance, Embarrassment, and Role in Erving Goffman’s Dramaturgical Sociology","authors":"Jake Fraser","doi":"10.1080/00168890.2024.2377657","DOIUrl":"https://doi.org/10.1080/00168890.2024.2377657","url":null,"abstract":"This paper argues that the work of Erving Goffman can be profitably re-read with the aid of Juliane Vogel’s work on the cultural logic of “the entrance” [der Auftritt]. Although Goffman’s “dramatur...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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