{"title":"Adaptation, authorship and the critical conversations of Little Fires Everywhere","authors":"Shelley Cobb","doi":"10.1080/17400309.2023.2264711","DOIUrl":null,"url":null,"abstract":"This article argues for an understanding of contemporary women’s television as a twenty-first century iteration of Lauren Berlant’s concept of the ‘intimate public’ of femininity, by analysing how ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"46 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Review of Film and Television Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17400309.2023.2264711","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
This article argues for an understanding of contemporary women’s television as a twenty-first century iteration of Lauren Berlant’s concept of the ‘intimate public’ of femininity, by analysing how ...