Pub Date : 2024-06-10DOI: 10.1080/17400309.2024.2362591
Jonathan Devine
Published in New Review of Film and Television Studies (Ahead of Print, 2024)
发表于《电影电视研究新评论》（2024 年，提前出版）
{"title":"The Australian film revival: 1970s, 1980s, and beyond","authors":"Jonathan Devine","doi":"10.1080/17400309.2024.2362591","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362591","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"61 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141333778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-05DOI: 10.1080/17400309.2024.2362610
Matt Connolly
Published in New Review of Film and Television Studies (Ahead of Print, 2024)
发表于《电影电视研究新评论》（2024 年，提前出版）
{"title":"A note of introduction","authors":"Matt Connolly","doi":"10.1080/17400309.2024.2362610","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362610","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"27 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141309107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-05DOI: 10.1080/17400309.2024.2362592
Daniel Smith
Published in New Review of Film and Television Studies (Ahead of Print, 2024)
发表于《电影电视研究新评论》（2024 年，提前出版）
{"title":"Transformational ethics of film: thinking the cinemakeover in the film-philosophy debate","authors":"Daniel Smith","doi":"10.1080/17400309.2024.2362592","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362592","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141309039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-04DOI: 10.1080/17400309.2024.2362590
Gabrielle Stecher
Published in New Review of Film and Television Studies (Ahead of Print, 2024)
发表于《电影电视研究新评论》（2024 年，提前出版）
{"title":"Starmaker: David O. Selznick and the production of stars in the Hollywood studio system","authors":"Gabrielle Stecher","doi":"10.1080/17400309.2024.2362590","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362590","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"10 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141329719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-30DOI: 10.1080/17400309.2024.2342212
Ludo de Roo
Up until the 19th century, the notion ‘medium’ described the natural elements – e.g. earth, water, fire, and air. John Durham Peters’ media philosophy (2015) demonstrates how contemporary technical...
{"title":"Mediating the elemental: an immaterialist ethics for ecomaterialist media theory","authors":"Ludo de Roo","doi":"10.1080/17400309.2024.2342212","DOIUrl":"https://doi.org/10.1080/17400309.2024.2342212","url":null,"abstract":"Up until the 19th century, the notion ‘medium’ described the natural elements – e.g. earth, water, fire, and air. John Durham Peters’ media philosophy (2015) demonstrates how contemporary technical...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"16 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140915164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2257857
Eve Bennett
The Marvel TV series Agents of S.H.I.E.L.D., which is set in a fictional American intelligence agency, reproduces contemporary media, academic, and governmental discourse surrounding violent radica...
漫威电视剧《神盾局特工》（Agents of S.H.I.E.L.D.）以虚构的美国情报机构为背景，再现了当代媒体、学术界和政府围绕暴力辐射的讨论。
{"title":"Lost souls, victims and deviants: radicalization and gender in Agents of S.H.I.E.L.D.","authors":"Eve Bennett","doi":"10.1080/17400309.2023.2257857","DOIUrl":"https://doi.org/10.1080/17400309.2023.2257857","url":null,"abstract":"The Marvel TV series Agents of S.H.I.E.L.D., which is set in a fictional American intelligence agency, reproduces contemporary media, academic, and governmental discourse surrounding violent radica...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2264713
Tanya Horeck
This article considers what Liz Garbus’s television version of Michelle McNamara’s I’ll Be Gone in the Dark (HBO, 2018) reveals about true-crime adaptation in a post #MeToo era, particularly in rel...
{"title":"I’ll Be Gone in the Dark: feminism and the adaptation of true crime in the #MeToo era","authors":"Tanya Horeck","doi":"10.1080/17400309.2023.2264713","DOIUrl":"https://doi.org/10.1080/17400309.2023.2264713","url":null,"abstract":"This article considers what Liz Garbus’s television version of Michelle McNamara’s I’ll Be Gone in the Dark (HBO, 2018) reveals about true-crime adaptation in a post #MeToo era, particularly in rel...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"4 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2304612
Marzena Keating, Joanna Łapińska
The aim of this article is to analyse various excremental motifs and their functions in selected contemporary films. Drawing on concepts such as Julia Kristeva’s abject, Mary Douglas’s taboo and Mi...
{"title":"Shit happens on the big screen: faecal motifs in contemporary film","authors":"Marzena Keating, Joanna Łapińska","doi":"10.1080/17400309.2024.2304612","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304612","url":null,"abstract":"The aim of this article is to analyse various excremental motifs and their functions in selected contemporary films. Drawing on concepts such as Julia Kristeva’s abject, Mary Douglas’s taboo and Mi...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"27 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2263693
Jessica Ford
Sharp Objects (2018) has been widely read by journalists and critics as ‘feminist’, and broadly speaking, the miniseries’ feminism has been attributed to its subversion of crime television tropes a...
{"title":"Televisual authorship and the affective feminism of HBO’s Sharp Objects adaptation","authors":"Jessica Ford","doi":"10.1080/17400309.2023.2263693","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263693","url":null,"abstract":"Sharp Objects (2018) has been widely read by journalists and critics as ‘feminist’, and broadly speaking, the miniseries’ feminism has been attributed to its subversion of crime television tropes a...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"23 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2315701
Maria San Filippo
Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)
发表于《电影电视研究新评论》（第 22 卷第 1 期，2024 年）
{"title":"Labors of love","authors":"Maria San Filippo","doi":"10.1080/17400309.2024.2315701","DOIUrl":"https://doi.org/10.1080/17400309.2024.2315701","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"170 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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