Pub Date : 2024-06-11DOI: 10.1080/17400309.2024.2360379
Adin Walker
{"title":"Flowers, concrete, water: care and precarity in Tsai Ming-liang’s\u0000 I Don’t Want to Sleep Alone\u0000 (2006)","authors":"Adin Walker","doi":"10.1080/17400309.2024.2360379","DOIUrl":"https://doi.org/10.1080/17400309.2024.2360379","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141358688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-10DOI: 10.1080/17400309.2024.2362591
Jonathan Devine
Published in New Review of Film and Television Studies (Ahead of Print, 2024)
发表于《电影电视研究新评论》（2024 年，提前出版）
{"title":"The Australian film revival: 1970s, 1980s, and beyond","authors":"Jonathan Devine","doi":"10.1080/17400309.2024.2362591","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362591","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141333778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-05DOI: 10.1080/17400309.2024.2362610
Matt Connolly
Published in New Review of Film and Television Studies (Ahead of Print, 2024)
发表于《电影电视研究新评论》（2024 年，提前出版）
{"title":"A note of introduction","authors":"Matt Connolly","doi":"10.1080/17400309.2024.2362610","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362610","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141309107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-05DOI: 10.1080/17400309.2024.2362592
Daniel Smith
Published in New Review of Film and Television Studies (Ahead of Print, 2024)
发表于《电影电视研究新评论》（2024 年，提前出版）
{"title":"Transformational ethics of film: thinking the cinemakeover in the film-philosophy debate","authors":"Daniel Smith","doi":"10.1080/17400309.2024.2362592","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362592","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141309039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-04DOI: 10.1080/17400309.2024.2362590
Gabrielle Stecher
Published in New Review of Film and Television Studies (Ahead of Print, 2024)
发表于《电影电视研究新评论》（2024 年，提前出版）
{"title":"Starmaker: David O. Selznick and the production of stars in the Hollywood studio system","authors":"Gabrielle Stecher","doi":"10.1080/17400309.2024.2362590","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362590","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141329719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-22DOI: 10.1080/17400309.2024.2349493
Lisa Wells Jacobson
{"title":"Walkman time machine","authors":"Lisa Wells Jacobson","doi":"10.1080/17400309.2024.2349493","DOIUrl":"https://doi.org/10.1080/17400309.2024.2349493","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141110763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-21DOI: 10.1080/17400309.2024.2347166
R. C. Tait
{"title":"The performance of labor and downward mobility in Steven Soderbergh’s recession trilogy (2009–2012):\u0000 The Girlfriend Experience\u0000 ,\u0000 Haywire\u0000 , and\u0000 Magic Mike","authors":"R. C. Tait","doi":"10.1080/17400309.2024.2347166","DOIUrl":"https://doi.org/10.1080/17400309.2024.2347166","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141118094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-19DOI: 10.1080/17400309.2024.2355715
Dario Lanza
{"title":"Hand painted movie stills: a study of the aesthetics of the cinematographic space in painted scenography","authors":"Dario Lanza","doi":"10.1080/17400309.2024.2355715","DOIUrl":"https://doi.org/10.1080/17400309.2024.2355715","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141124626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-16DOI: 10.1080/17400309.2024.2347168
Pablo Castrillo, Alberto N. García
{"title":"E pluribus Unum\u0000 : toward a poetics of the TV anthology","authors":"Pablo Castrillo, Alberto N. García","doi":"10.1080/17400309.2024.2347168","DOIUrl":"https://doi.org/10.1080/17400309.2024.2347168","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140970785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/17400309.2024.2348427
Thomas Barker
{"title":"Reshaping production practices: European film festivals, new Indonesian cinema, and the creative producer","authors":"Thomas Barker","doi":"10.1080/17400309.2024.2348427","DOIUrl":"https://doi.org/10.1080/17400309.2024.2348427","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140992279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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