{"title":"Vedantam vs. Venus: Drag, Impersonation, and the Limitations of Gender Trouble","authors":"Harshita Mruthinti Kamath","doi":"10.1007/s11407-024-09363-8","DOIUrl":null,"url":null,"abstract":"<p>Drawing on the seminal work of feminist and queer theorist Judith Butler, this article compares the practice of gender impersonation in the South Indian dance form of Kuchipudi with American drag performance. While impersonation in Kuchipudi and American drag performance arise from radically distinct gendered, cultural, and religious contexts, the juxtaposition of these two seemingly disparate spheres generates a useful framework for comparison that illuminates new ways of interpreting gender and caste in contemporary South India. Focusing on the Kuchipudi dancer Vedantam Satyanarayana Sarma and the drag ball performer Venus Xtravaganza, this article analyzes the gender and caste norms of Kuchipudi dance in Telugu-speaking South India while outlining the limitations of Butler’s theory of gender performativity.</p>","PeriodicalId":53989,"journal":{"name":"International Journal of Hindu Studies","volume":"2016 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Hindu Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/s11407-024-09363-8","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
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Abstract
Drawing on the seminal work of feminist and queer theorist Judith Butler, this article compares the practice of gender impersonation in the South Indian dance form of Kuchipudi with American drag performance. While impersonation in Kuchipudi and American drag performance arise from radically distinct gendered, cultural, and religious contexts, the juxtaposition of these two seemingly disparate spheres generates a useful framework for comparison that illuminates new ways of interpreting gender and caste in contemporary South India. Focusing on the Kuchipudi dancer Vedantam Satyanarayana Sarma and the drag ball performer Venus Xtravaganza, this article analyzes the gender and caste norms of Kuchipudi dance in Telugu-speaking South India while outlining the limitations of Butler’s theory of gender performativity.
期刊介绍：
Founded in 1997, the International Journal of Hindu Studies is committed to publishing excellent scholarship on well-established topics in Hindu Studies, to fostering new work in neglected areas, and to stimulating alternative perspectives as well as exchange of information on a wide range of issues. The Journal supports critical inquiry, hermeneutical interpretive proposals, and historical investigation into all aspects of Hindu traditions. While committed to publishing articles that will advance scholarship in any discipline relevant to Hindu Studies, the Journal is especially interested in areas of research that have cross-disciplinary relevance or new implications for this emerging field of scholarly interest. Submissions of a comparative or theoretical nature in every discipline in the humanities and social sciences will receive serious and respectful consideration. Each submission to the Journal will receive double-blind review.
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