“I Make My Own Time”: Julio Valverde’s Temporal Agency Through Musicking

Q2 Arts and Humanities IASPM Journal Pub Date : 2024-03-18 DOI:10.5429/2079-3871(2024)v14i1.4en
Yuri Prado
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Abstract

Although music’s potential to alter the perception of the passage of time is well known, a better understanding of how it works in practice is still needed. In this regard, studies on temporal agency such as those by Flaherty (2011) and Hitlin and Elder (2007) have become important references, as they seek to identify the parameters on which individuals base themselves in the making of time. Based on an ethnography centred on Julio Valverde, a 79-year-old Brazilian cook and composer, I intend to show how his different forms of musicking are capable of shaping both his own experiences of time and those of the people of his intimate circle. In addition, the article explores issues related to Julio’s aging, examining both his musical flourishing and his unique perspective on the past, present, and future.
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"我创造自己的时间胡里奥-巴尔韦德通过音乐实现的时间代理
尽管音乐改变人们对时间流逝的感知的潜力已众所周知,但我们仍需要更好地了解音乐在实践中是如何发挥作用的。在这方面,Flaherty(2011 年)、Hitlin 和 Elder(2007 年)等人对时间机构的研究已成为重要参考,因为这些研究试图确定个人在创造时间时所依据的参数。基于以 79 岁的巴西厨师兼作曲家胡里奥-巴尔韦德(Julio Valverde)为中心的人种学研究,我打算说明他的不同音乐形式是如何塑造他自己和他亲密圈子中人的时间体验的。此外,文章还探讨了与胡里奥的衰老有关的问题,研究了他在音乐上的蓬勃发展以及他对过去、现在和未来的独特看法。
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
30 weeks
期刊最新文献
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