DAEDALA IMAGO AND THE IMAGE OF THE WORLD IN LUCRETIUS’ PROEM (1.5–8)

Alexandre Hasegawa
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Abstract

This article aims to discuss how Lucretius arranges the four ‘roots’ at the end of successive lines of verse in the De rerum natura (henceforth, DRN) (1.5–8). In this passage Lucretius, alluding to Empedocles, puts the words in such an order that one can see the layers of the world by a vertical reading. In the same passage, Lucretius imitates the very beginning of Homer's ecphrasis (Il. 18.478–85), which the allegorical tradition will explain as an image of the world, related to Empedoclean theory. The article also discusses the allusion to Daedalus by means of the adjective daedalus in DRN 1.7 (daedala tellus), which could be related to both Empedocles and Homer. This adjective is a keyword for discussing the image produced by the words on the written page.
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卢克莱修序言(1.5-8)中的 daedala imago 和世界形象
本文旨在讨论卢克莱修是如何在《论自然》(Deerum natura,以下简称 DRN)(1.5-8)中连续几行诗句的末尾安排四个 "根 "的。在这段话中,卢克莱修暗指恩培多克勒,他将这些词按这样的顺序排列,让人可以通过纵向阅读看到世界的层次。在同一段落中,卢克莱修模仿了荷马咏叹调的开头(Il. 18.478-85),寓言传统将其解释为与恩培多克勒理论相关的世界图像。文章还讨论了通过 DRN 1.7 中的形容词 daedalus(daedala tellus)对代达罗斯的影射,这可能与恩培多克勒和荷马有关。这个形容词是讨论书页上的文字所产生的形象的关键词。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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