Study of Pata Melo Songs in Etu Ceremony in Natameze Traditional Village Community, Nagekeo Regency

Melkior Kian, Flora Ceunfin, Margaretha Sofyana Irma Kaet, Isidorus Lao Wea
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Abstract

This research aims to analyze 1) the form of presentation of pata melo singing 2) the meaning of Pata melo singing in the Etu ceremony in the Natameze traditional village community. This research was conducted using a qualitative approach and using naturalistic and ethnographic methods. The subjects of this research are 2 mosalaki who know about Pata melo singing. Data collection used observation, interview, and documentation techniques. The results showed that the singing of Pata melo in the Etu traditional ceremony, namely every verse sung, has the meaning of social motivation, namely strengthening enthusiasm, friendship, and unity besides having to remain vigilant against opponents and the most important thing is sportsmanship. Based on the results of research and discussion in the previous chapter, it is concluded that, Pata melo is an expression of friendship motivation not a revenge or emotional. The singing of pata melo and etu is not immediately held but must go through several processes of presentation from wuku enga to finally ibha ae. 
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纳吉柯地区纳塔梅泽传统村落社区埃图仪式中的帕塔-梅洛歌曲研究
本研究旨在分析:1)帕塔-米洛歌唱的表现形式;2)帕塔-米洛歌唱在纳塔梅兹传统村落社区埃图仪式中的意义。本研究采用定性方法和自然与人种学方法进行。研究对象是两位了解帕塔-米洛演唱的莫萨拉基人。数据收集采用了观察、访谈和记录技术。结果表明,在埃图传统仪式中演唱帕塔-米洛(即所唱的每一句歌词)具有社会激励的意义,即除了要对对手保持警惕外,还要加强热情、友谊和团结,最重要的是要有体育精神。根据前一章的研究和讨论结果,得出的结论是:帕塔梅洛是一种友谊动机的表达,而不是报复或情绪化。帕塔-梅洛和埃图的演唱并不是立即举行的,而是必须经过从 wuku enga 到最后的 ibha ae 几个过程。
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