SOCRATES THE EUTRAPELOS: XENOPHON AND ARISTOTLE ON ETHICAL VIRTUE

Gabriel Danzig
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Abstract

The social virtues are not discussed thematically in the Socratic writings of Plato and Xenophon, but they are on display everywhere. Taking Aristotle's accounts of these virtues as a touchstone, this paper explores the portrait of Socrates as a model of good humour in Xenophon's Symposium. While Xenophon is addressing the same issues as Aristotle, and shares some of his red lines, his conception of the ideal humourist and of virtue in general differs from Aristotle's not only in detail but also in general conception. While he never actually violates the rules Aristotle sets down for eutrapelia, Xenophon's Socrates strives not to avoid opposites but to combine them. It is the careful combining of the spoudaion and the geloion that redeems Xenophon's otherwise outrageous portrait of Socratic humour. This suggests a broader paradigm in which virtuous behaviour is a combination of opposites rather than a middle path.
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苏格拉底:色诺芬和亚里士多德论伦理美德
在柏拉图和色诺芬的苏格拉底著作中,社会美德并没有得到专题讨论,但它们却无处不在。本文以亚里士多德对这些美德的论述为试金石,探讨色诺芬的《交响曲》中苏格拉底作为幽默典范的形象。虽然色诺芬与亚里士多德讨论的是同样的问题,并分享了他的一些红线,但他对理想幽默者和一般美德的概念不仅在细节上与亚里士多德不同,而且在总体概念上也与亚里士多德不同。色诺芬笔下的苏格拉底从未真正违反亚里士多德为 "对立"(eutrapelia)制定的规则,但他努力避免对立,而是将对立结合起来。正是苏格拉底将 "spoudaion "和 "geloion "小心翼翼地结合在一起,才使色诺芬笔下的苏格拉底幽默形象得以挽回。这表明了一种更广泛的范式,即良性行为是对立面的结合,而不是中间道路。
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