Directive Speech Acts Used in Lady Gaga’s Singles (from the Albums The Fame, The Fame Monster, and Born This Way)

Frederik Agnar Widjaja
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Abstract

This research paper aims to examine the use of speech acts of directive utterances in Lady Gaga’s singles. This study explores the lyrics of 13 different singles from the albums The Fame (2008), The Fame Monster (2009), and Born This Way (2011). In finding the directive utterances in the lyrics, this study applies the semantic theory of speech acts as proposed by Kreidler (1998). Three kinds of directive utterances can be recognized: commands, requests, and suggestions. These can be either in positive or negative expressions. This study finds that there are 48 directive utterances used in the 13 singles for this study in total, with the composition: 12 commands (25%), with 10 positives and 2 negatives, 25 requests (52%), with 19 positives and 6 negatives, and 11 suggestions (23%), with 10 positives and 1 negative. While according to positive or negative expressions, there 39 positives (81%) and 9 negatives (19%) expressions.
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在 Lady Gaga 的单曲中使用的直接言语行为(选自专辑《The Fame》、《The Fame Monster》和《Born This Way》)。
本研究论文旨在探讨 Lady Gaga 单曲中指令性语篇的言语行为的使用。本研究探讨了《The Fame》(2008 年)、《The Fame Monster》(2009 年)和《Born This Way》(2011 年)三张专辑中 13 首不同单曲的歌词。在寻找歌词中的指令性语篇时,本研究采用了 Kreidler(1998 年)提出的言语行为语义理论。指令性语篇可分为三种:命令、请求和建议。这些指令性语句既可以是正面表达,也可以是负面表达。本研究发现,在本研究的 13 首单曲中,总共使用了 48 个指令性语篇,其构成情况如下:其中命令 12 个(占 25%),正面 10 个,负面 2 个;请求 25 个(占 52%),正面 19 个,负面 6 个;建议 11 个(占 23%),正面 10 个,负面 1 个。而根据正面或负面表达,共有 39 个正面表达(81%)和 9 个负面表达(19%)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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