Specifics of Bildungsroman Structure in Protocanon Phase of Socialist Realism

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Nauchnyi Dialog Pub Date : 2024-03-23 DOI:10.24224/2227-1295-2024-13-2-321-344
O. Osmukhina, E. P. Ovsyannikova
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Abstract

The article   examines   the   Soviet   novels of the mid-1920s — early 1930s, gravitating towards the genre tradition of the Bildungsroman (D. Furmanov’s “Chapaev”, A. Fadeev’s “Razgrom”, N. Ognev’s “Diary of Kostya Ryabtsev”, A. Gaidar’s “School”, A. Bondin’s “Matvey Korenistov”, B. Yasensky’s “A Man Changes Skin” and A. Avdeenko's “I Love”), which “prepared” the universal model of the socialist realist novel of the hero’s personality formation, largely determining its structure in the following decades. It is established that, first, the unifying feature of socialist realist novels about the formation of personality is an accentuated plot about the protagonist’s difficult childhood (the hero grows up in an incomplete family, the family does not participate in his upbringing), his escape from home and his discovery of a friend, who for the first time informs the hero of revolutionary sentiments; his functional role is a mediator on the border of two worlds — “old” and “new”. Secondly, one of the obligatory events in which the hero takes part is the rally (strike) as a place where the hero’s ideological allegiance is tested or where his views are formed. Third, the boundary event that separates the hero’s life in the narrative of the socialist realist novel is the October Revolution, participation in which allows the protagonist to find a “big family”. Finally, the narrative of the socialist realist Bildungsroman and re-education is an alternation of stable motifs: loneliness, recognizing mistakes, getting a second chance, and sacrificing oneself.
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社会主义现实主义原初阶段的童话结构特点
文章对 20 世纪 20 年代中期至 30 年代早期的苏联小说进行了研究,这些小说都倾向于 "童话 "这一体裁传统(D. Furmanov 的《Chapaev》、A. Fadeev 的《Razgrom》、N. Ognev 的《Kostya Ryabtsev 日记》、A. Gaidar 的《学校》、A. Bondin 的《Matvey Korenistov》、B. Yasensky 的《换了一副皮囊的人》和 A. Avdeenko 的《我爱》)。邦丁的《马特维-科列尼斯托夫》、B. 亚森斯基的《换了皮囊的人》和 A. 阿夫登科的《我爱》),这些作品 "准备 "了社会主义现实主义小说塑造主人公性格的普遍模式,在很大程度上决定了其后几十年的结构。首先,社会主义现实主义小说关于人格形成的统一特征是突出主人公艰难的童年(主人公在一个不完整的家庭中长大,家庭没有参与他的成长)、逃离家庭和发现一位朋友的情节,这位朋友第一次让主人公了解了革命情感;他的功能性角色是两个世界--"旧 "和 "新 "世界--边界上的调解人。其次,主人公必须参加的活动之一是集会(罢工),这是检验主人公思想忠诚度或形成其观点的地方。第三,在社会主义现实主义小说叙事中,区分主人公生活的边界事件是十月革命,参加十月革命可以让主人公找到一个 "大家庭"。最后,社会主义现实主义长篇小说的叙事和再教育是一个稳定主题的交替:孤独、认识错误、获得第二次机会和牺牲自己。
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来源期刊
Nauchnyi Dialog
Nauchnyi Dialog HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
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发文量
215
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