Homely yet dissonant. Cultural identity in Leopold Buczkowski’s early novels

Wawrzyniec Miścicki
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Abstract

The article examines the notion of cultural identity in the fi rst three novels by Leopold Buczkowski:Wertepy, Czarny potok (Black Torrent, MiT 1969) and Dorycki krużganek. Although Buczkowski’swriting possesses a strong subversive potential, its disruptiveness is predominantly studiedthrough poetics or historiosophical refl ection. In this article anthropology serves as the main focalpoint to extricate from the setting of the novels a set of certain qualities that disturb the representationalunambiguity of certain topoi, such as national identity or borderland identity. These qualitiesconvey an image of a specifi c cultural formation – Galicia, however, this formation is a by-productof the locality and only constituted via contact with, and opposition to, the hegemonic discourse.Cultural relations defi ne the space of internal familiarity, while remaining „unfamiliar” to an externalobserver, a dissonance in the cultural landscape.
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温馨而不和谐。利奥波德-布茨科夫斯基早期小说中的文化认同
文章探讨了利奥波德-布茨科夫斯基(Leopold Buczkowski)前三部小说《Wertepy》、《Czarny potok》(Black Torrent,MiT 1969)和《Dorycki krużganek》中的文化身份概念。虽然布茨科夫斯基的作品具有强烈的颠覆性,但其颠覆性主要是通过诗学或历史学的反思来研究的。在本文中,人类学将作为主要的研究焦点,从小说的背景中发掘出一系列特定的特质,这些特质扰乱了某些表象的明确性,如民族身份或边疆身份。这些特质传达了一种特殊的文化形成--加利西亚--的形象,然而,这种形成是地方性的副产品,只有通过与霸权话语的接触和对立才能构成。
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