{"title":"Homely yet dissonant. Cultural identity in Leopold Buczkowski’s early novels","authors":"Wawrzyniec Miścicki","doi":"10.5604/01.3001.0054.4474","DOIUrl":null,"url":null,"abstract":"The article examines the notion of cultural identity in the fi rst three novels by Leopold Buczkowski:Wertepy, Czarny potok (Black Torrent, MiT 1969) and Dorycki krużganek. Although Buczkowski’swriting possesses a strong subversive potential, its disruptiveness is predominantly studiedthrough poetics or historiosophical refl ection. In this article anthropology serves as the main focalpoint to extricate from the setting of the novels a set of certain qualities that disturb the representationalunambiguity of certain topoi, such as national identity or borderland identity. These qualitiesconvey an image of a specifi c cultural formation – Galicia, however, this formation is a by-productof the locality and only constituted via contact with, and opposition to, the hegemonic discourse.Cultural relations defi ne the space of internal familiarity, while remaining „unfamiliar” to an externalobserver, a dissonance in the cultural landscape.","PeriodicalId":515211,"journal":{"name":"Tekstualia","volume":" 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tekstualia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0054.4474","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article examines the notion of cultural identity in the fi rst three novels by Leopold Buczkowski:Wertepy, Czarny potok (Black Torrent, MiT 1969) and Dorycki krużganek. Although Buczkowski’swriting possesses a strong subversive potential, its disruptiveness is predominantly studiedthrough poetics or historiosophical refl ection. In this article anthropology serves as the main focalpoint to extricate from the setting of the novels a set of certain qualities that disturb the representationalunambiguity of certain topoi, such as national identity or borderland identity. These qualitiesconvey an image of a specifi c cultural formation – Galicia, however, this formation is a by-productof the locality and only constituted via contact with, and opposition to, the hegemonic discourse.Cultural relations defi ne the space of internal familiarity, while remaining „unfamiliar” to an externalobserver, a dissonance in the cultural landscape.