Reflection of Political and Social Influences on the Ghazal Genre in Azerbaijani Literature in the 20th Century: Aliagha Vahid's Literary Works

ENTHYMEMA Pub Date : 2024-03-02 DOI:10.54103/2037-2426/22214
Ziyafat Huseynova
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Abstract

The essay focuses on the problems that hindered the ghazal genre from developing and how the poet kept the tradition alive in Azerbaijani literature at the start of the 20th century. We used Aliagha Vahid’s literary creativity for our project since he lived through this period in Azerbaijan, experienced all of its hardships, and demonstrated the genre’s potential by creating poetic imagery of the time in his ghazals. He is an Azerbaijani poet who is revered in the Turkic community as Fuzuli’s successor and is credited with saving the ghazal genre in Azerbaijani literature. Analyzing his lyrics provided excellent possibilities to examine the influential factors on all of the Azerbaijani literature at the time. In the study, his creation of new kinds of ghazals with social and political issues while retaining the characteristics of the traditional ghazal genre was investigated. With him, the genre in Azerbaijani literature underwent a new phase. The attempt to eradicate the ghazal from the Azerbaijani literature which has a history of centuries –long history did not succeed as a result of mostly Aliagha Vahid’s serious efforts. For this purpose, the poet’s historical milieu, the challenges of the repression, his satirical ghazals with a sociopolitical theme, the thematic details of his lyrics, and other issues have been involved in the investigation.
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20 世纪阿塞拜疆文学中加扎尔体裁受政治和社会影响的反映:阿里阿加-瓦希德的文学作品
这篇文章的重点是阻碍格扎尔体裁发展的问题,以及诗人如何在 20 世纪初的阿塞拜疆文学中保持这一传统。我们在项目中使用了阿里阿加-瓦希德的文学创作,因为他经历了阿塞拜疆的这一时期,体验了其中的种种艰辛,并通过在他的格扎尔诗中创造当时的诗歌意象,展示了这一体裁的潜力。他是阿塞拜疆诗人,在突厥人中被尊称为富祖利的继承人,并被认为拯救了阿塞拜疆文学中的格扎尔体裁。分析他的歌词为研究对当时所有阿塞拜疆文学的影响因素提供了极好的可能性。在本研究中,对他在保留传统格扎尔体裁特点的同时,创作出带有社会和政治问题的新型格扎尔进行了研究。随着他的出现,阿塞拜疆文学的体裁经历了一个新的阶段。由于 Aliagha Vahid 的认真努力,在阿塞拜疆有几百年历史的文学作品中根除加扎尔的企图没有得逞。为此,我们对诗人的历史环境、镇压所带来的挑战、他以社会政治为主题的讽刺格扎尔诗、其歌词的主题细节以及其他问题进行了调查。
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