RESURRECTION OF THE UNVEILED: REPRESENTATION OF TAHIRIH QURRATUL-AYN IN DOCUMENTARY FILM DUST-FLOWER-FLAME (2016)

Elnaz Nasehi
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Abstract

TahirihQurratul-Ayn, a revolutionary figure in 19th-century Persian history, remains a symbol of womens empowerment and religious reform. Despite her significant influence, her portrayal in mainstream media has been limited. This research delves into the documentary film Dust-Flower-Flame directed by Shabnam Tolouei, which offers a unique perspective on Tahirihs life and legacy. Toloueis film provides a nuanced exploration of Tahirihs multifaceted identity as a religious thinker, poet, and womens rights advocate. Through archival materials, interviews, and reenactments, Tolouei constructs a compelling subjective narrative. Exploring the intersection of past and present, this research examines the cinematic strategies employed in Dust-Flower-Flame in order to offer insights into the directors construction of Tahirih and the challenges and controversies surrounding her depiction.
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未揭幕者的复活:纪录片《尘-花-焰》(2016 年)中塔希里-库拉图尔-伊恩的再现
TahirihQurratul-Ayn 是 19 世纪波斯历史上的一位革命人物,至今仍是妇女赋权和宗教改革的象征。尽管她影响深远,但主流媒体对她的描述却十分有限。本研究深入探讨了由沙布纳姆-托鲁埃(Shabnam Tolouei)执导的纪录片《尘埃-花朵-火焰》,该片以独特的视角展现了塔希里的生活和遗产。托鲁埃在影片中对塔希里作为宗教思想家、诗人和女权倡导者的多重身份进行了细致入微的探讨。通过档案资料、访谈和情景再现,托鲁埃构建了一个引人入胜的主观叙事。本研究探讨了过去与现在的交汇点,研究了《尘埃-花-火》中采用的电影策略,以便深入了解导演对塔希里赫的塑造以及围绕她的描述所产生的挑战和争议。
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