“Below 58 BPM,” involving real-time monitoring and self-medication practices in music performance through IoT technology

Nicolo Merendino, Antonio Rodà, Raul Masu
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Abstract

The project presented in this paper illustrates the design process for the development of an IoT system that monitors a specific bio-metric parameter (heart rate) in real time and provides feedback for an opera singer, as well as adding effects that manipulate the sounds emitted by the body during a self-healing practice. This allows the singer to rest and alternate opera singing techniques (which is very demanding) with other less demanding singing techniques and even a self-healing session in case of necessity during a performance. The case study presented in this paper has been developed with and for Eleonora Amianto, an opera singer who suffered from a carotid aneurysm. We performed an idiographic design process, closely collaborating with Eleonora, and developed a wearable IoT that suited her health and artistic needs. In the design of the system, we explore the intersection between self-healthcare and performative arts, focusing on the use of an Internet of Musical Things (IoMusT) system to implement medical prevention and treatment practices in an art performance. The system is developed using open-source tools, allowing for easy replication and improvement, as well as reducing risks of obsolescence and costs of updating. We complement a formal evaluation session with field notes collected during the design phase. We could observe a positive effect of the system on Eleonora's practice and its potential applications within different performative scenarios.
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"低于 58 BPM",涉及通过物联网技术对音乐表演进行实时监测和自我治疗的做法
本文介绍的项目说明了开发物联网系统的设计过程,该系统可实时监测特定的生物测量参数(心率),并为歌剧演唱者提供反馈,还可在自我修复练习中添加操纵身体发出声音的效果。这样,歌剧演唱者就可以休息,并交替使用歌剧演唱技巧(要求很高)和其他要求较低的演唱技巧,甚至在演出期间必要时进行自我修复。本文介绍的案例研究是与患有颈动脉瘤的歌剧演唱家 Eleonora Amianto 共同开发的。我们与 Eleonora 密切协作,开展了一个特异性设计过程,开发出了适合她的健康和艺术需求的可穿戴物联网。在该系统的设计过程中,我们探索了自我保健与表演艺术之间的交叉点,重点是如何利用音乐物联网(IoMusT)系统在艺术表演中实施医疗预防和治疗。该系统使用开源工具开发,便于复制和改进,并降低了过时的风险和更新成本。我们用在设计阶段收集到的实地记录对正式评估会议进行了补充。我们可以观察到该系统对埃莉奥诺拉的实践产生了积极影响,以及在不同表演场景中的潜在应用。
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