Carving in and "Carving Out" Space:

Bridgette Norwood
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Abstract

Skateboarding is a subculture with an ideology that counters normative authority and standards of masculinity. Yet, it continues to uphold persistent misogynistic perspectives and gender discrepancies in participation (Beal 1996; McCarthy 2022). Therefore, it is critical to understand the experiences of marginalized genders in the skateboarding subculture to discover how ideas of authenticity are formed and upheld in the skate subculture and how these standards impact skateboarders of marginalized genders. This qualitative study examines the unexplored skateboard subculture in Halifax, Nova Scotia through an analysis of its symbolic membership and physical and social space. This study identifies a disassociation from ‘typical’ masculinity and outwardly favourable attitudes towards gender diversity within the Halifax skateboard community; however, gender barriers remain within this still hyper-masculine setting disguised through support. Nevertheless, the historically resistant and rebellious attitudes that coincide with skateboarding may provide a space for female and non-binary skaters to counter subcultural and societal gender norms.
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刻入和 "刻出 "空间:
滑板运动是一种亚文化,其意识形态与男性的规范权威和标准背道而驰。然而,它仍然坚持顽固的厌女观和参与中的性别差异(Beal,1996 年;McCarthy,2022 年)。因此,了解边缘化性别在滑板亚文化中的经历,对于发现滑板亚文化中的真实性观念是如何形成和坚持的,以及这些标准是如何影响边缘化性别的滑板者至关重要。这项定性研究通过分析新斯科舍省哈利法克斯市的滑板亚文化的象征性成员资格以及物理和社会空间,对该地区尚未被探索的滑板亚文化进行了研究。本研究发现,哈利法克斯滑板社区与 "典型的 "男性气质不符,并且在外表上对性别多样性持支持态度;然而,在这个仍以支持为掩饰的超男性环境中,性别障碍依然存在。尽管如此,滑板运动历来具有的抵制和反叛态度可能会为女性和非二元滑手提供一个反驳亚文化和社会性别规范的空间。
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