Wooden Rehearsal Rooms from the Construction Process to the Musical Performance

Acoustics Pub Date : 2024-01-27 DOI:10.3390/acoustics6010007
Maria Cairoli
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Abstract

Rehearsal rooms play an important role in musicians’ activities to obtain the best results during a performance in front of an audience. Numerous rehearsal rooms are located in complex buildings, such as opera houses and cultural centers, where new research outcomes have led to increasingly complex projects and construction phases. Furthermore, technical complexity has also increased due to the large quantity of used materials and the innovation level of the process. In this context, a new methodology becomes mandatory to control the indoor air quality and the acoustic quality in rehearsal rooms. This paper aims to offer a procedure for rehearsal rooms for large ensembles during the construction and life cycle phases to optimize the indoor environmental quality according to different types of ensembles and repertoires. In particular, rehearsal rooms with wood panel cladding are considered. The proposed methodology is controlled by a digital twin (DT) based on building information modeling (BIM), integrated with acoustic measurements, sensors and actuators aimed at implementing the database in real time. A case study is presented, in which the cladding system is described, the new methodology is applied, and the results are compared with the criteria suggested in the standard ISO 23591.
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从建造过程到音乐演出的木制排练室
排练室在音乐家的活动中发挥着重要作用,以便在面对观众的演出中取得最佳效果。许多排练室都位于歌剧院和文化中心等复杂建筑中,新的研究成果导致这些建筑的项目和施工阶段越来越复杂。此外,由于大量使用材料和工艺创新水平的提高,技术复杂性也随之增加。在这种情况下,必须采用新的方法来控制排练室的室内空气质量和声学质量。本文旨在为大型合奏排练厅提供一套程序,根据不同类型的合奏和曲目,在施工和生命周期阶段优化室内环境质量。特别是考虑了使用木板包层的排练室。所提出的方法由基于建筑信息模型(BIM)的数字孪生(DT)控制,并与声学测量、传感器和执行器集成,旨在实时实施数据库。本报告介绍了一个案例研究,其中描述了覆层系统,应用了新方法,并将结果与 ISO 23591 标准中建议的标准进行了比较。
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